Citation for published item:rnnnD wF F nd qoldergD eF nd uov¡ sD fF @PHITA 9ht does it men to spn ulturl oundriesc riety nd typility in ulturl onsumptionF9D emerin soiologil reviewFD VI @PAF ppF PISEPRIF Further information on publisher's website: httpXGGdxFdoiForgGIHFIIUUGHHHQIPPRITTQPUVU Publisher's copyright statement: rnnnD wF F nd qoldergD eF nd uov¡ sD fF @PHITA 9ht does it men to spn ulturl oundriesc riety nd typility in ulturl onsumptionF9D emerin soiologil reviewFD VI @PAF ppF PISEPRIF gopyright PHIT emerin oiologil essoitionF eprinted y permission of eqi ulitionsF Additional information:
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AbstractWe propose a synthesis of two lines of sociological research on boundary spanning in cultural production and consumption. One, research on cultural omnivorousness, analyzes choice by heterogeneous audiences facing an array of crisp cultural offerings. The other, research on categories in markets, analyzes reactions by homogeneous audiences to objects that vary in the degree to which they conform to categorical codes. We develop a model of heterogeneous audiences evaluating objects that vary in typicality. This allows consideration of orientations on two dimensions of cultural preference: variety and typicality. We propose a novel analytical framework to map consumption behavior in these two dimensions. We argue that one audience type, those who value variety and typicality, are especially resistant to objects that span boundaries. We test this argument in an analysis of two large-scale datasets of reviews of films and restaurants.