2007
DOI: 10.1525/si.2007.30.1.57
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Controlling for Consensus: Commemorating Apartheid in South Africa

Abstract: According to the literature, commemorations of difficult pasts can be categorized into two main types, fragmented and multivocal—both of which serve to express, if not to enhance, social conflicts. Our analysis of the first apartheid museum in South Africa, however, points to a commemorative type that aims at agreement, not through disagreement and debate but through overarching consensus. That consensus is constructed through a large degree of control in terms of the form and content of the mnemonic object. H… Show more

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Cited by 49 publications
(39 citation statements)
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“…Instead of encompassing all of human history, this museum only recounted the ordeals of apartheid from 1948, and instead of extending out into the entire world, this museum only dealt with life in and around Johannesburg during that period (Bonner 2004). Although such a narrowing of focus might still serve national interests in "controlling consensus" (Teeger and Vinitzky-Seroussi 2007), this new site, the Apartheid Museum, showed the importance of localizing the nation and the power of grounding a national narrative of unity in the specificity of identity and difference in a particular place.…”
Section: National Heritagementioning
confidence: 99%
See 1 more Smart Citation
“…Instead of encompassing all of human history, this museum only recounted the ordeals of apartheid from 1948, and instead of extending out into the entire world, this museum only dealt with life in and around Johannesburg during that period (Bonner 2004). Although such a narrowing of focus might still serve national interests in "controlling consensus" (Teeger and Vinitzky-Seroussi 2007), this new site, the Apartheid Museum, showed the importance of localizing the nation and the power of grounding a national narrative of unity in the specificity of identity and difference in a particular place.…”
Section: National Heritagementioning
confidence: 99%
“…First, South Africa's new public pedagogy has been criticized for creating an artificial uniformity in which difference, disagreement, and debate are buried under scripted narratives and framed imagery for creating consensus (Teeger and Vinitzky-Seroussi 2007). New national narratives, drawing on powerful images of non-racial rainbowism or African Renaissance, have been deployed in a variety of ways to create a sense of social cohesion.…”
Section: Th E Expanding Classroommentioning
confidence: 99%
“…This, for example, is what happened in Germany with opening of the Stasi files and the GDR truth commissions (Misztal 2003b;Beattie 2011), and in the Czech Republic with temporarily disqualifying former agents or informants of the secret police from serving in the high-ranking government posts (Misztal 2003b). However, societies can also enforce forgetting of some conflictual elements of the past and moving on, as, for example, happened in South Africa with the truth and reconciliation commissions (Teeger and Vinitzky-Seroussi 2007).…”
Section: Trauma and Difficult Pastmentioning
confidence: 99%
“…In contrast, in a society (1) with a conflictual political culture, (2) where a difficult past is still construed as politically relevant, and (3) divided stakeholders have access to diverse resources, as in Israeli commemorations of the assassinated Prime Minister and Defense Minister Yitzhak Rabin, the commemorations of a difficult past will be fragmented -Rabin was commemorated in different places at different times, and each of these separate commemorations targeted specific and disparate audiences (Vinitzky-Seroussi 2002). Finally, commemorations of a difficult past can also be enforced from-above, as it happened with the commemorations of the apartheid in South Africa, where the content and form of apartheid presentations in the first South African apartheid museum were strictly controlled (Teeger and Vinitzky-Seroussi 2007).…”
Section: Trauma and Difficult Pastmentioning
confidence: 99%
“…This is often a result of the fact that while certain groups find commemorating certain people or events to be unacceptable or uncomfortable for a variety of reasons, keeping totally silent on these issues is increasingly being perceived as illegitimate within the broader society. Moreover, agents of memory are often aware of potential criticism that may be raised against them if they fail to mention certain elements of the past and thus preemptively respond to these potential criticisms by incorporating difficult aspects of the past in ways that minimize their impact (Teeger and Vinitzky-Seroussi 2007). Such covert silences are not easily identifiable and thus not easily critiqued as they are covered and hidden by much mnemonic talk.…”
Section: Covert Silence In the Domain Of Forgettingmentioning
confidence: 99%