2016
DOI: 10.1080/10632913.2016.1244781
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Creating community from the inside out: A concentric perspective on collective artmaking

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Cited by 6 publications
(2 citation statements)
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“…The fence simultaneously represented single voices but also a collective one. As such, it parallels community art that all at once communicates important messages to viewers while fostering a sense of solidarity among creators (Blatt-Gross, 2017; Milbrandt, 2010). Even though the various messages reinforced several BLM positions, protesters selected the messages that resonate most with them individually.…”
Section: Literature Reviewmentioning
confidence: 99%
“…The fence simultaneously represented single voices but also a collective one. As such, it parallels community art that all at once communicates important messages to viewers while fostering a sense of solidarity among creators (Blatt-Gross, 2017; Milbrandt, 2010). Even though the various messages reinforced several BLM positions, protesters selected the messages that resonate most with them individually.…”
Section: Literature Reviewmentioning
confidence: 99%
“…Cohen (2003, 2015) advocated for the inherent reciprocal capacity of the arts, the way in which art initiates sensory and emotional reactions in the viewer, as crucial to promoting coexistence in conflict and post‐conflict situations. Blatt‐Gross (2017) notes that collective artmaking can create communities by stimulating neurological attunement, cultivating shared aesthetic responses, focusing on imagination, and fostering communication. For example, Aksenova and Rieff (2020) recommended overhauling international criminal justice proceedings by introducing creative exchanges because “art possesses reconciliatory and healing properties” that are relational in nature and able to reach a wide audience (p. 498).…”
Section: Conceptual Frameworkmentioning
confidence: 99%