2022
DOI: 10.1080/19407963.2022.2107655
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Creative destination, creative cultural experience, and destination brand self-congruence (DBSC)

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Cited by 8 publications
(3 citation statements)
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References 109 publications
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“…Wu & I. K. W. Lai, 2022), golf tourism (Zhang et al, 2022), red tourism (M. J. , creative destination (Shahabi et al, 2022), faith destinations (Cifci, 2022), dark tourism destinations (Cifci et al, 2023). The theory of self-congruity is also applied in studies regarding airport lounge (Lee et al, 2017), hotel brand (Sop & Kozak, 2019;Su, 2017), guest houses (Wang et al, 2021), green service (Olk, 2021), tourist shopping place (Han et al, 2019), lodging (B. Bynum , online travel agencies (Chen et al, 2022), destination food (Gomez-Rico et al, 2022), intangible cultural heritage products (Guo et al, 2022), cultural events (Meeprom & Fakfare, 2021), esport events (Thompson et al, 2022), Blue Flag logo (Can et al, 2023).…”
Section: Yearly Outputmentioning
confidence: 99%
“…Wu & I. K. W. Lai, 2022), golf tourism (Zhang et al, 2022), red tourism (M. J. , creative destination (Shahabi et al, 2022), faith destinations (Cifci, 2022), dark tourism destinations (Cifci et al, 2023). The theory of self-congruity is also applied in studies regarding airport lounge (Lee et al, 2017), hotel brand (Sop & Kozak, 2019;Su, 2017), guest houses (Wang et al, 2021), green service (Olk, 2021), tourist shopping place (Han et al, 2019), lodging (B. Bynum , online travel agencies (Chen et al, 2022), destination food (Gomez-Rico et al, 2022), intangible cultural heritage products (Guo et al, 2022), cultural events (Meeprom & Fakfare, 2021), esport events (Thompson et al, 2022), Blue Flag logo (Can et al, 2023).…”
Section: Yearly Outputmentioning
confidence: 99%
“…Creative tourism in the context of destination branding is associated with synergizing the self-image of a tourist with the creative manner with which a destination brands itself [17]. Stipanovic and Rudan [18] write that "creativity in tourism development can be interpreted through a whole integrated series of different elements of both the supply and the demand that encompasses the totality and complexity of the destination's perception" [18] (p. 507).…”
Section: Introductionmentioning
confidence: 99%
“…Stipanovic and Rudan [18] write that "creativity in tourism development can be interpreted through a whole integrated series of different elements of both the supply and the demand that encompasses the totality and complexity of the destination's perception" [18] (p. 507). As creativity is essentially about adding something novel to current tourism products, it refers to innovativeness on the part of a destination to stay unique [17,19]. In other words, "a creative destination is able to generate profit from innovation, culture, research and artistic production, and thus strengthen its own identity capital" [18] (p. 507).…”
Section: Introductionmentioning
confidence: 99%