2005
DOI: 10.1002/nvsm.28
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Creative marketing strategies in small museums: up close and innovative

Abstract: Museums are seeing decreasing resources along with increasing competition (such as the entertainment industry's recent foray into the education arena) for their market share (TiLE, Oct 2002). The prevalent perception that nonprofit institutions as a sector are mismanaged also requires museums to become more businesslike in their management and their marketing (Kotler & Kotler, 1998; Andreasen & Kotler, 2002; Salamon, 2003). Although larger museums have more access to human and economic capital, this ar… Show more

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Cited by 30 publications
(17 citation statements)
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“…The set of measurements shows a significantly advanced reality in regard to relational marketing allowing to conclude, in line with other authors, that as far as large museums can count on extensive human and capital resources, the autonomy and flexibility of medium and small institutions can be achieved through creativity and innovation [45].…”
Section: Conclusion and Directions For Future Researchsupporting
confidence: 77%
“…The set of measurements shows a significantly advanced reality in regard to relational marketing allowing to conclude, in line with other authors, that as far as large museums can count on extensive human and capital resources, the autonomy and flexibility of medium and small institutions can be achieved through creativity and innovation [45].…”
Section: Conclusion and Directions For Future Researchsupporting
confidence: 77%
“…For example, Smith, Discenza, and Baker (2005) compare small art galleries with small businesses arguing that both types of organizations have to rely on similar business strategies. McNichol (2005) highlights the importance of branding for small museums, while Olkkonen and Tuominen (2006) establish the significance of museum sponsorship. This transformation from cultural institutions to cultural industries affects the overall experience produced: “To survive, organizations in cultural industries must reconcile the demands of artistic production with those of the marketplace” (Lampel, Lant, & Shamsie, 2000, p. 265).…”
Section: The Current Projectmentioning
confidence: 99%
“…These are the museum's ‘product’ which can appeal to these visitors. As the museum aims to be creative and appealing, the ‘product’ needs to be attractive (Bradburne, ; McNichol, ). Second, this case offers an unusual setting where we could observe a complete team development process from ideation to implementation.…”
Section: Methodsmentioning
confidence: 99%