Proceedings of the 22nd ACM International Conference on Multimedia 2014
DOI: 10.1145/2647868.2654908
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Crowdsourcing a Reverberation Descriptor Map

Abstract: Audio production is central to every kind of media that involves sound, such as film, television, and music and involves transforming audio into a state ready for consumption by the public. One of the most commonly-used audio production tools is the reverberator. Current interfaces are often complex and hard-to-understand. We seek to simplify these interfaces by letting users communicate their audio production objective with descriptive language (e.g. "Make the drums sound bigger."). To achieve this goal, a sy… Show more

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Cited by 11 publications
(25 citation statements)
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“…Mo et al [14] found that emotional cues can be conveyed via reverberation. Some of their emotional categories, such as romantic and mysterious, overlap with the vocabulary found in our data collection [4]. Their work is a vocabulary study, like our prior work [4], whereas our current work uses a vocabulary to build and test an interface.…”
Section: Content Creation/control With High-level Descriptorsmentioning
confidence: 93%
See 3 more Smart Citations
“…Mo et al [14] found that emotional cues can be conveyed via reverberation. Some of their emotional categories, such as romantic and mysterious, overlap with the vocabulary found in our data collection [4]. Their work is a vocabulary study, like our prior work [4], whereas our current work uses a vocabulary to build and test an interface.…”
Section: Content Creation/control With High-level Descriptorsmentioning
confidence: 93%
“…Since our approach depends on crowdsourced collection of mappings between words and effects control settings. We now provide a brief overview of the SocialReverb [4] and SocialEQ [5] user interactions for data collection. For further detail, please refer to the prior publications.…”
Section: Crowdsourcing Audio Conceptsmentioning
confidence: 99%
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“…Very little work is available on novel, more intuitive interfaces for reverb [13,14] and mapping terms to its parameters [4,5]. A number of studies have looked at perception of reverberation in musical contexts [2,6,[15][16][17][18][19][20][21][22][23][24][25][26][27][28][29][30][31][32], see Table 1.…”
Section: Introductionmentioning
confidence: 99%