“…Viewed from a pan-North Sea perspective, much of the recent research on Viking-age metalwork has been directed at reconstructing one, albeit powerful, stream of seaborne cultural interactionnamely that between Anglo-Saxon England and Scandinavia. As a consequence, major progress has been made in establishing how that reciprocal cultural encounter was reflected in the form and style of different categories of personal adornment, whether dating to the period of Viking colonialism in the later ninth and tenth centuries (Margeson, 1996;Thomas, 2000;Leahy & Paterson, 2001; Kershaw, 2009), or of Danish imperialism in the later tenth and early eleventh centuries (Graham-Campbell, 1992;Pedersen, 1997Pedersen, , 2004Williams, 1997;Owen, 2001).…”