2006
DOI: 10.1111/j.1468-2427.2006.00661.x
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Culture in the Rise of Tiger Economies: Scottish Expatriates in Dublin and the ‘Creative Class’ Thesis

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Cited by 48 publications
(38 citation statements)
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“…While for Florida, members of the 'creative class' are highly mobile, the results point to two significant factors. First, and in line with previous research on expatriate workers moving to Dublin (Boyle, 2006), our results emphasise the continued importance of classic, or 'hard', factors, such as the availability of employment, in the selection of Dublin by migrants working within creative and knowledge industries. Moreover, these 'hard' factors also continued to be of primary importance in selecting a residential location.…”
Section: Discussionsupporting
confidence: 73%
“…While for Florida, members of the 'creative class' are highly mobile, the results point to two significant factors. First, and in line with previous research on expatriate workers moving to Dublin (Boyle, 2006), our results emphasise the continued importance of classic, or 'hard', factors, such as the availability of employment, in the selection of Dublin by migrants working within creative and knowledge industries. Moreover, these 'hard' factors also continued to be of primary importance in selecting a residential location.…”
Section: Discussionsupporting
confidence: 73%
“…The notion of a mobile creative class that cities must attract to be competitive in the global economy has been criticized for being a mass-marketed urban neoliberal development scheme (Peck 2005). It has also been criticized as being a fuzzy concept with a questionable causal logic (Boyle 2006;Markusen 2006). Does the presence of the highlyskilled foster economic growth or does economic growth stimulate highly-skilled in-migration?…”
Section: The Mobility Of Highly-skilled Migrantsmentioning
confidence: 98%
“…One of those changes is the necessity among city centres to adapt to new types of businesses and spatial concentrations of firms and organizations (Hutton, 2009). A contemporary example is the public funding of new cultural downtowns, museums and exhibition centres aimed at attracting visitors and potential inhabitants, which has been pursued in Dublin, Ireland (Boyle, 2006), amongst numerous of other cities. Other examples include transforming abandoned industrial buildings to workplaces for young artists in the Netherlands (Marlet and Woerkens, 2005), moving TV-production facilities from the capital to the peripheral north in the UK (Christophers, 2008), the creation of a government-run Creative Industries Task Force in London (Pratt, 2004) or labelling an economically lagging capital Berlin, Germany 'city of talents' (Kra¨tke, 2004).…”
Section: Introductionmentioning
confidence: 99%