2016
DOI: 10.1080/14647893.2016.1223028
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‘Dance Makes Me Happy’: experiences of children with disabilities in elementary school dance education

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Cited by 30 publications
(31 citation statements)
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“…The practitioners were driven by a desire to learn continuously, improve their practice, reflect on their work, and forge strong relationships in their dance communities. Interestingly, the practices adopted by the participants were similar to those reported in more recreational settings (for example, Zitomer, 2016Zitomer, , 2017, suggesting that teachers' approaches do not vary according to context. It is possible that once talent pathways are more established for young disabled dancers, a more differentiated understanding of teaching practices and philosophies can be gleaned (Urmston & Aujla, 2019).…”
Section: Introductionmentioning
confidence: 59%
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“…The practitioners were driven by a desire to learn continuously, improve their practice, reflect on their work, and forge strong relationships in their dance communities. Interestingly, the practices adopted by the participants were similar to those reported in more recreational settings (for example, Zitomer, 2016Zitomer, , 2017, suggesting that teachers' approaches do not vary according to context. It is possible that once talent pathways are more established for young disabled dancers, a more differentiated understanding of teaching practices and philosophies can be gleaned (Urmston & Aujla, 2019).…”
Section: Introductionmentioning
confidence: 59%
“…Multiple forms of improvement among the dancers were reported including those related to their technical and social skills, stamina, independence and increased confidence, both within IRIS and potentially outside of it. Studies of recreational disabled dancers similarly reported improved confidence and social skills (Reinders, ; Zitomer, , ; Zitomer & Reid, ), and the teacher’s perceptions of the students’ technical skills were supported by quantitative measures of their dance ability (Aujla & Needham‐Beck, ). Interestingly, one of the dancers mentioned that the programme could be ‘overwhelming’ at times, reflecting the intensity of IRIS and its ambition to mirror mainstream training.…”
Section: Discussionmentioning
confidence: 99%
“…Taken together these findings support the notion that positive relationships, and connection with or contribution to a community, are critical components of SWB (Ryff, 1989, Ryff & Singer, 1996Seligman, 2011;Shah & Marks, 2004). Previous studies of young dancers with (Zitomer, 2016) and without disabilities (Aujla et al, 2014a) have highlighted the importance of positive relationships with both peers and teachers in dance classes; participating in an inclusive dance programme may provide opportunities to forge meaningful relationships with like-minded peers and members of the dance industry which contributes to SWB.…”
Section: Discussionmentioning
confidence: 99%
“…Karkou & Glasman, 2004). Evidence from qualitative studies demonstrates the benefits of engaging in recreational arts activities for people with disabilities, such as improvements in self-esteem, interpersonal skills, and perceived competence (Ehrich, 2010;Fuller et al, 2009;Goodgame, 2007;Karkou & Glasman, 2004;Kinder & Harland, 2004;Ovenden, 2017;Zitomer, 2016).…”
Section: Introductionmentioning
confidence: 99%
“…According to activity categorisations in this review, the identified class time PA programs most commonly included dance/drama activities. This is reasonable given research suggests that dance can be used to meet the diverse needs of learners in the school setting [98] and that children with disabilities enjoy dancing [99]. Additionally, a recent review by May et al [100] indicates that dance programs can have a number of benefits for the development of children with disabilities including physical, cognitive, psychological and social benefits.…”
Section: Program Componentsmentioning
confidence: 99%