2014
DOI: 10.3998/ohp.12329362.0001.001
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Death of the PostHuman: Essays on Extinction, Volume One

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Cited by 260 publications
(126 citation statements)
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References 38 publications
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“…The world (Earth) as it is given and beneficial for humans is but one expression of 'life' amongst others. as Colebrook (2013) somberly comments, '[t]here was a time, and there will be a time without humans' (p. 32).…”
Section: Research In a More Than Human Worldmentioning
confidence: 95%
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“…The world (Earth) as it is given and beneficial for humans is but one expression of 'life' amongst others. as Colebrook (2013) somberly comments, '[t]here was a time, and there will be a time without humans' (p. 32).…”
Section: Research In a More Than Human Worldmentioning
confidence: 95%
“…at the brink of the Holocene, the human species today confronts an inhuman world of another (chthonic) time, scale, and geological perspective (Colebrook, 2013). Where such post-anthropocene perspectives accelerate the planet beyond an all-too-human image of a single time, single market, and single polity, thought itself might be concomitantly freed from the anthropomorphic and anthropocentric conceit that the world aspires to reflect in the image of human desire (p. 66).…”
Section: Research In a More Than Human Worldmentioning
confidence: 97%
“…(Flaubert 143) The contrast between the silence of the outside world and the images derived from the literature of romance (such as 'a river of milk') directly connects to Emma's physical sensations. Flaubert not only exposes the unreality of Emma's dreams and the fragility of her illusions, but, as Leo Bersani suggests, also 'uses the literature of romance to illustrate how poetry is made from the life of senses' (181). Relating one of Emma's meetings with Léon, Flaubert exposes the impossibility of articulating the sensations she is experiencing outside the romantic language of romances:…”
Section: The Interplay Between Lived Experience and Its Verbal Articumentioning
confidence: 99%
“…He (for he is surely a 'he', and a 'he' in which the white European 'ethnoclass' is overrepresented (Wynter, 2003)) is the human as the 'end of nature', as that entity at which the chains of utility end and the cosmos is given meaning (Szerszynski, 2012) -who overcodes his retention of past environmental change, and says 'I did this with my hands behind my back', and who overcodes his protention into the future of the Earth, and says 'my destiny is to be the God Species' (Lynas, 2011). Yet in the fullness of geological time this Anthropos is expected to become the subject of a mythic afterfuture on a humanized but humanless planet (Colebrook, 2014) -will die in order to become divine, to take his throne as homo absconditus in the Palace of the Ages where reside the onomatophores ('name-bearers') of all ages of all planets (Szerszynski, 2015).…”
Section: The High Gods Of a New Epochmentioning
confidence: 99%