2001
DOI: 10.1525/gfc.2001.1.1.60
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Deconstructing Soup: Ferran Adriàà's Culinary Challenges

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Cited by 12 publications
(7 citation statements)
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“…And so are born the new ice creams, mousses, gelatins and foams, first cold and then hot (first use of synthetic emulsifiers such as lecithin in haute cuisine! ), which characterized the dishes of the early El Bulli era (52,56).…”
Section: Deconstruction In Cookingmentioning
confidence: 99%
“…And so are born the new ice creams, mousses, gelatins and foams, first cold and then hot (first use of synthetic emulsifiers such as lecithin in haute cuisine! ), which characterized the dishes of the early El Bulli era (52,56).…”
Section: Deconstruction In Cookingmentioning
confidence: 99%
“…According to Parasecoli, the concepts Adrià translates and materializes into food are, by his own admission, amazingly close to those developed within the literary and philosophical movement generally known as deconstruction: the same provocative use of estrangement, intended to make the most familiar structures, classifications, and conceptual systems totally unfamiliar; the same intense effort to subvert any absolute set of assumptions, to relentlessly fray the signifying differences in the canonized and mythicized culinary discourse. 42 …”
Section: Is Elbulli Postmodernist and Deconstructivist?mentioning
confidence: 99%
“…Adrià is one such chef, and the science of molecular gastronomy plays a key role in his theory of culinary creativity. Whereas the scientists' project of culinary enlightenment was associated with modernism, Adrià's culinary theory is associated commonly with postmodernism (Matthews, 2004;Parasecoli, 2001;Wilson, 2006). However, I will suggest that this is too simple a categorization of the significations of Adrià and elBulli.…”
Section: The 'Restaurant': Elbulli Ferran Adrià and Culinary Creativitymentioning
confidence: 99%
“…Fabio Parasecoli argues that Adrià's mode of deconstruction is similar to Derrida's, as it shares 'the same provocative use of estrangement … [and] the same intense effort to subvert any absolute set of assumptions ' (2001: 63). He associates Adrià's cuisine with the postmodern practice of pastiche, through its harvesting of classical recipes from the past (Parasecoli, 2001). Yet the focus of pastiche on imitation of the past is antithetical to Adrià's modernist philosophy of culinary creativity as 'not copying'.…”
Section: The 'Restaurant': Elbulli Ferran Adrià and Culinary Creativitymentioning
confidence: 99%
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