Design Research Through Practice: From the Lab, Field, and Showroom

Koskinen, Ilpo; Zimmerman, John; Binder, Thomas; Redström, Johan; Wensveen, Stephan

doi:10.1109/tpc.2013.2274109

Cited by 312 publications

(432 citation statements)

References 0 publications

Supporting

Mentioning

390

Contrasting

Unclassified

Order By: Relevance

“…We iteratively designed for professional empathy [33]. In an educational environment, we looked at positively influencing multi-stakeholder collaboration through professional empathy, using design solutions.…”

Section: Methodsmentioning

confidence: 99%

The Creation Of Professional Empathy During Multi-Stakeholder Collaboration.

Steenbakkers¹,

Lu²,

Brinkema³

et al. 2016

11th EAD Conference Proceedings: The Value of Design Research

View full text Add to dashboard Cite

show abstract

Section: Methodsmentioning

confidence: 99%

The Creation Of Professional Empathy During Multi-Stakeholder Collaboration.

Steenbakkers¹,

Lu²,

Brinkema³

et al. 2016

11th EAD Conference Proceedings: The Value of Design Research

View full text Add to dashboard Cite

show abstract

“…In their discussion of Showrooms, Koskinen et al( 2011) described it as an arena that provides a script that people are assumed to follow, as in the concept of making people think borrowed from art (Koskinen et al, 2011). In contrast to this, this design research is driven by opportunistic interaction in a similar way as it is common i.e.…”

Section: Conducted Further Investigations Of Time-based Co-design Imentioning

confidence: 99%

Systemic Approach to Architectural Performance

Davidová

2017

FormAkademisk

View full text Add to dashboard Cite

I propose the integration of physical and digital outputs in one GIGAmap and the participation and co-design of biotic and abiotic agents into one rich design research space, which is resulting in an ever-evolving research-design process-result timebased design.Keywords: systems-oriented design, rich design research space, GIGA-mapping, prototyping, full-scale, media mix, time-based design, co-design, biotic and abiotic agents. IntroductionThe use of computing in architecture emerged in the nineties. Offices and collaborative networks, such as Ocean (Hensel, 2015a), Nox (NOX, 2016), Asymptote (Asymptote Architecture, 2016), dECOi (dECOi architects, 2015), FOA and others began to submit experimental design research proposals to competitions. These projects used computing in highly artistic and experimental ways. They achieved unprecedented results in their experiments by using different tools, such as animation. Sevaldson, who is at the Ocean network, described his experience in this innovative climate:The rudimentary traces of an experimental design practice developed further when I slowly became aware of the generative potential in the machine. The machine had the ability to surprise me (Sevaldson, 2005).Sevaldson (1999) stated that computer technology can help to understand, visualise and design complex systems. However, partially developed digital tools that are specialised for different disciplines included several bugs. Several kinds of specialist computer software have been used in exploratory design processes, such as film animation software, sound analysis software, biological system simulations and others. The different disciplinary properties, as well as the so-called bugs, were utilised in design, and they became effective arena in mixing such media in the creative design processes in these offices. Today, design computation is usually discussed in relation to performance (Peters, 2013). The term media is used here as "an intervening agency, means, or instrument by which something is conveyed or accomplished" (Dictionary, 2017). The first processes used systems that were soft compared with the currently used parametric design, which is "a process based on algorithmic thinking that enables the expression of parameters and rules that, together, define, encode and clarify the relationship between design intent and design response" (Jabi, 2013, p. 201). The rise of 3D printing techniques and technologies enabled the prototyping of these design attempts and provided an easier way to mix physical and digital media. Capjon (2004) first explained method of 3D print prototyping for design innovation through trial and error in the field of product design. In 2005, Sevaldson discussed the hybrid design process in which many digital and traditional techniques and design strategies were combined. He discussed the mix of media in addition to the different roles of individuals with different responsibilities in the team (Sevaldson, 2005). He then introduced GIGA-mapping, which is a type of visual diagramming that m...

show abstract

“…(Gasparski, 1995b). We also noticed few bibliographies integrating references from South of Europe (Koskinen, 2011), especially from France.…”

Section: Emergence Of Frogs (French Design Researchers Oncoming Groupmentioning

confidence: 99%