Designing innovative reading experiences for a museum exhibition

Back, Maribeth; Gold, Rich; Balsamo, Anne; Chow, M.; Gorbet, Matt; Harrison, Steven R.; MacDonald, D.; Minnerman, S.

doi:10.1109/2.895121

Cited by 20 publications

(14 citation statements)

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“…In recent years there has been a growing interest in the area of physical manipulation of electronic content via motion sensors, such as accelerometers [1,2,3,4,5,6,7,10]. We are concerned here only with systems where the sensor measures the movement of the display, rather than of a remote unit, like the Nintendo Wii console.…”

Section: Related Workmentioning

confidence: 99%

“…To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Of the previous work a number have demonstrated the presentation and manipulation of maps, typically showing a small portion of a much larger area, allowing the user to navigate around this space [1,5,7,10]. Plaisant et al [9] describe this as a "detail-only browser".…”

Section: Figure 1 the Bt Balance Platformmentioning

confidence: 99%

“…A is consistent with the "map as a tablecloth" metaphor, sliding off the tablet. It was used in the initial map implementation and [1]. D has a weaker "surface as bubble" metaphor, as used in [5,7,10].…”

Section: Designmentioning

confidence: 99%

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Action and reaction for physical map interfaces

Chatting

2008

Proceedings of the 2nd International Conference on Tangible and Embedded Interaction

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In this paper we present experimental results measuring the success of users manipulating a physical map interface to navigate to specific locations. We evaluate four different mappings between the action of the user and the reaction of the display, two where axis act consistently and two where they are inconsistent. Consistent mappings outperform those that are not and of these one mapping is significantly better and quicker to learn. Measures of error, speed of completion and reports of difficulty and task enjoyment support this. We use this to make specific recommendations for such interfaces and highlight new challenges.

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Section: Related Workmentioning

confidence: 99%

Section: Figure 1 the Bt Balance Platformmentioning

confidence: 99%

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Action and reaction for physical map interfaces

Chatting

2008

Proceedings of the 2nd International Conference on Tangible and Embedded Interaction

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“…As the actual costumes for the world premiere of Turandot are on display in the exhibition, the 3D animation of these virtual counterparts makes the visitor's experience all the richer. We realized a total of twelve minutes of 3D character animations (body, mouth, dress), a major achievement for a museum exhibition [figures 8,9,10,11]. These animations took nearly six months of work by a team of four character and cloth animators.…”

Section: D Character Animation and Costume Animationmentioning

confidence: 99%

Scenographies of the past and museums of the future

Sparacino¹

2004

Proceedings of the 12th Annual ACM International Conference on Multimedia

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This paper offers an overview and discussion of the numerous innovative technological solutions adopted for the exhibit: "Puccini Set Designer" ("La Scena di Puccini"), organized with the support and collaboration of Milan's renown La Scala opera theater. The exhibition used a wide range of state-of-the-art technologies to convey most effectively to the audience Puccini's work as set designer. For the co-presence and coordinated use of several technologies that transform the visitor from passive spectator to orchestrator of the museum experience, it marks a step towards the "museum of the future". A true innovator in opera set design, Giacomo Puccini broke new ground through the use of both modern technologies -such as electric stage lighting -and a narrative structure closer to the audience of his day. Similarly, drawing inspiration from the Puccinian set, this exhibition reinterprets the museum space as an exquisitely scenic place where lighting, choreography, narrative rhythm, costumes and colors are produced with the aid of state-of-the-art technologies. The museum space enhanced by these new narrative tools based on innovative technologies resembles a stage set where the main characters are the objects themselves, a set complete with special effects and stage tricks expressly designed to delight the spectator, and keep his interest alive.Interactive museums, interactive technology, interactive narrative spaces, experience design, exhibit design, museum of the future.

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“…Xerox PARC developed the Glyph-O-Scope shown in Figure 6 as an interactive museum exhibit. 10 The device resembles a large magnifying glass mounted over a table surface. After placing a document printed with embedded data under the Glyph-O-Scope's view-port, the user views a computer-generated image overlaid on, and physically registered with, the document.…”

Section: Physical Magic Lensmentioning

confidence: 99%

Printed embedded data graphical user interfaces

Hecht

2001

Computer

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Designing innovative reading experiences for a museum exhibition

Cited by 20 publications

References 0 publications

Action and reaction for physical map interfaces

Action and reaction for physical map interfaces

Scenographies of the past and museums of the future

Printed embedded data graphical user interfaces

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