Designing Javanese Costumes and Characters as Transforming Tradition for Cultural Sustainability

Cendekia, Dhara Alim; Sidyawati, Lisa; Anggriani, Swastika Dhesti

doi:10.2991/assehr.k.200321.061

Cited by 2 publications

(3 citation statements)

References 8 publications

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“…Each direction, whether East, South, West, or North, may be associated with a specific color, reflecting a symbolic alignment of the physical and spiritual realms. This association could have implications for various aspects of life, such as spatial orientation, journey symbolism, or ritual practices [27].…”

Section: Lurik Colormentioning

confidence: 99%

Development of lurik Bayat fabric design for interior elements

Purnomo

2023

Gelar.Jurnal.Seni.Budaya

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This scientific article investigates the evolution of Lurik Bayat fabric, traditionally confined to the clothing industry, aiming to expand its role in the creative industry and enhance community well-being. The research commences with a thorough examination of the current state of Lurik fabric in the Bayat Sub District, encompassing analysis of its design, production processes, and community utilization. In response to the demand for interior applications, a comprehensive mapping of new functions is executed. Data is collected through a multifaceted approach involving observation, literature study, interviews, and documentation, encompassing artifacts and informant perspectives. The design experiment employs a structured approach to formulate and compose Lurik Bayat fabric designs for diverse interior elements, including drapes (curtains), lampshades, table fabrics, pillowcases, and bed covers. The outcomes of this study unveil innovative designs geared towards benefiting Lurik fabric craftspersons and facilitating the integration of the fabric into diverse creative applications beyond its traditional role in clothing. The findings emphasize the potential of Lurik Bayat fabric to contribute to the broader creative industry and improve the overall well-being of the community. The comprehensive exploration of design, production, and application provides valuable insights for practitioners, researchers, and stakeholders interested in advancing the role of traditional fabrics in contemporary creative contexts.

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Section: Lurik Colormentioning

confidence: 99%

Development of lurik Bayat fabric design for interior elements

Purnomo

2023

Gelar.Jurnal.Seni.Budaya

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“…Several prior researchers have used the ATUMICS technique in cultural preservation, such as the production of a digital Engklek game [11], the usage of Javanese Character costumes in the 3D film Bejo Si Sinom [12], and the application of local wisdom in food packaging [13].…”

Section: Related Workmentioning

confidence: 99%

“…Every region in Indonesia has games that can be maintained by developing digital games. The ATUMICS method is also used in the 2019 3D film Bejo Si Sinnom [12]. From Sabang to Merauke, Indonesia boasts a diverse archipelago culture.…”

Section: Introductionmentioning

confidence: 99%

Preserving Candi Kidal’s Relief to Sustain a Cultural Heritage Site using ATUMICS Approach

Pramono

Wijaya

2023

E3S Web of Conf.

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Candi Kidal represents a cultural heritage structure that should be preserved. This temple structure is similar to the other temples in that it contains a foot section (Bhurloka), a body part (Bhuvarloka), and a summit portion (Swarloka). Some reliefs are read on the body using the Prasawya technique, and a story about the loyalty of a child named Garudeya to his mother, Winata, will appear. The story of a son freeing his mother from slavery is analogous to the Indonesian people's battle for freedom from Dutch colonialism. This study intends to introduce Garudeya's intangible reliefs at Candi Kidal and explain the moral message they embody. The Garudeya relief found in the Candi Kidal will be re-displayed on a sitting lamp as part of this research. The author did a site survey, interviews, questionnaires, and a literature review in this study. The author used the ATUMICS approach to create a prototype in the form of a sitting lamp, which aids in transforming traditions into contemporary contexts. The main focus of this study is on the concept of form, which is the transformation of Candi Kidal's silhouette into the shape of a sitting lamp. Furthermore, the lithophane technique, which converts a photograph into a 3D relief, is used on the body of the sitting lamp. As a result, the relief seen on Candi Kidal's body can be reproduced on the sitting lamp's body.

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Designing Javanese Costumes and Characters as Transforming Tradition for Cultural Sustainability

Cited by 2 publications

References 8 publications

Development of lurik Bayat fabric design for interior elements

Development of lurik Bayat fabric design for interior elements

Preserving Candi Kidal’s Relief to Sustain a Cultural Heritage Site using ATUMICS Approach

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