Digital Heritage: Bringing New Life to the Montreux Jazz Festival’s Audio-Visual Archives with Immersive Installations

Henchoz, Nicolas; Crank, Allison

doi:10.1162/leon_a_01646

Cited by 4 publications

(2 citation statements)

References 7 publications

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“…The audience research here presented centres its attention in the context of jazz festivals. Different aspects of jazz audiences have been explored in both concert/gig and festival surroundings (Burland & Pitts, 2012;Williams & Saayman, 2011, Kruger & Saayman 2017Denson, 2014;Linko & Silvanto, 2011;Kemp & White, 2013;Kemp & Poole, 2016;Scholber & Spiro, 2016;Henchoz & Crank, 2018), however, the audience experience is still a research field that has a long way to go. This paper focuses precisely on the audience experience, an interactive co-created process between the audience and the organisational proposal in the jazz festival context.…”

Section: St Presentation Session Paper Sessionmentioning

confidence: 99%

Event Cocreation in Street Events: Evidence from Athens Pride

Karadimitriou¹,

Arvanitis²

2023

Event Management

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espite the significant contribution of events in tourism and development of urban areas, the cocreation aspects of street events appear to be under searched in the literature. Athens Pride is one of the largest street events in Athens and it aims to promote and support lesbian, gay, bisexual, transgender, and queer issues (LGBT+) in the greater Athens area, Greece. Using a sample of 312 Athens Pride adult attendees and employing linear analysis, this study focuses on the aspects that form this street event’s co-creation. The findings reveal that participation incentives and emotional closeness are the main factors in order to formulate and strengthen event co-creation, followed by the community commitment and the brand image of the event. In addition, the study showcases the importance of three socio-demographics (age; level of education; sexual orientation) upon event co-creation. The research also provides managerial suggestions for event organisers in order to further strengthen street event co-creation and the experience of their attendees.

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Section: St Presentation Session Paper Sessionmentioning

confidence: 99%

Event Cocreation in Street Events: Evidence from Athens Pride

Karadimitriou¹,

Arvanitis²

2023

Event Management

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“…Taoist temples, seen as a connector between traditional and contemporary culture [Liu and Li, 2018], provide a relevant context for linking digital installations with intangible cultural heritage. Other work in Taoist temples has taken a pedagogical approach to digitally preserving intangible heritage [Mah et al, 2019] although wider debate promotes immersive installations to encourage affective experience and comprehension [Henchoz and Crank, 2018;Kenderdine et al, 2017].…”

Section: Current State Of Researchmentioning

confidence: 99%

Ming Shan Digital Experience

Henchoz

Charvolin

Ribes

et al. 2021

Proc. ACM Comput. Graph. Interact. Tech.

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The Ming Shan Digital Experience is an immersive installation designed to support meditation in the context of a new Taoist center. Its creation confronted current academic literature on digital technology for meditation with the practical and cultural requirements of Taoist practice. Quantitative and qualitative learnings show the effectiveness of multimodal biofeedback on individual and collective meditative experience. Now instated in the Taoist center, the installation opens new perspectives for combining digital technology with ancient practice.

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Human-bird interactions in the Levant during the Late Pleistocene to Early Holocene: Multi-scalar analysis of avifaunal remains

Yeomans,

Mazzucato

2024

Archaeol Anthropol Sci

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This paper describes analyses of avifauna from Levantine Late Pleistocene and Early Holocene sites at contrasting scales. We present avian osteological data at Shubayqa, in northeast Jordan, illustrating human-bird-environment interactions over 4000 years offering interpretation of environmental change on avifaunal communities and reorientation in the nature of multi-species relationships at a wetland environment. Comparisons to published avifaunal assemblages investigates bird-human relationships across a broader temporal and geographical span. During the Late Pleistocene and Early Holocene, some of our species gradually transitioned to agriculture. People hunted birds for subsistence but extensive evidence for the symbolic importance of birds suggests complex relationships between species. Avifaunal evidence, therefore, presents insights into two commonly suggested primary causes for the shift from hunter-foragers to agriculturalists – resource pressure and symbolic expression. In this paper, we investigate and try to clarify the relationship between humans and birds at this transitional period in human history, furthering discussions of the shift towards agriculture. We argue humans gradually modified the landscape but this was not a reactionary response to resource stress. Nevertheless, this resulted in the productivity of the landscape increasing and allowed further intensification. Feathers and talons of birds were used for millennia preceding the shift to agriculture and the increase in bird hunting towards the end of the Pleistocene cannot be explained by the increased role of birds in the symbolic realm. The evidence from the avifauna adds weight to the idea of ecological niche construction activities, as people invested in specific locations, increasing productivity of habitats, thus encouraging further investment within some environments.

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Digital Heritage: Bringing New Life to the Montreux Jazz Festival’s Audio-Visual Archives with Immersive Installations

Cited by 4 publications

References 7 publications

Event Cocreation in Street Events: Evidence from Athens Pride

Event Cocreation in Street Events: Evidence from Athens Pride

Ming Shan Digital Experience

Human-bird interactions in the Levant during the Late Pleistocene to Early Holocene: Multi-scalar analysis of avifaunal remains

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