Video Demystified 2005
DOI: 10.1016/b978-075067822-3/50007-5
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Digital Video Interfaces

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Cited by 3 publications
(2 citation statements)
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“…Analog film recordings (photochemical methods) are based on the succession of still images (= frames) captured at a frequency needed to generate the optical illusion of movement. This principle similarly applies to digital film: Static images are captured (commonly at 25 to 60 frames per second) and stored in a sequence (Jack, 2005). Individual frames of digital film are made up of an array of pixels (= picture elements) arranged on the image sensor and later shown on the screen.…”
Section: Motion Energy Analysis: Quantifying Movement In Filmmentioning
confidence: 99%
“…Analog film recordings (photochemical methods) are based on the succession of still images (= frames) captured at a frequency needed to generate the optical illusion of movement. This principle similarly applies to digital film: Static images are captured (commonly at 25 to 60 frames per second) and stored in a sequence (Jack, 2005). Individual frames of digital film are made up of an array of pixels (= picture elements) arranged on the image sensor and later shown on the screen.…”
Section: Motion Energy Analysis: Quantifying Movement In Filmmentioning
confidence: 99%
“…The most frequently used color spaces are RGB (on computer monitors), YIQ, YUV or YCbCr (in video systems), and CMYK (in color printers). Since none of these color spaces are related to brightness, saturation, and intuitive perception of the color, there are additional color spaces such as HSV and HSI [ 15 ]. Color spaces can be grouped under two titles.…”
Section: Introductionmentioning
confidence: 99%