Directions, Goals, Tasks, Author's Concepts of Audiovisual Media Interpretations of the Topic of the School and University in the Russian Cinema (1992-2017)

Fedorov, Alexander; Levitskaya, Anastasia; Gorbatkova, Olga; Huston, Elena

doi:10.2139/ssrn.3067010

Cited by 10 publications

(12 citation statements)

References 7 publications

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“…Certain family issues portrayed in Soviet and Russian audiovisual texts of different genres were analysed in some Russian and foreign publications (Callister et al, 2007;Cantor, Riddle, 2014;Chelysheva, 2014;Fedorov et al, 2018;Fedorov et al, 2019;Fedorov et al, 2020;Gritsai, 2013;Masterman, 1985;Orange, Flynn, 2005;Tuchkova, 2012;Tyulyunova, 2020) in the post-Soviet historical period.…”

Section: Discussionmentioning

confidence: 99%

“…In particular, the topic of family violence in feature films and their impact on younger audiences is dealt with in researches carried out by some Russian and foreign media experts (Chelysheva, 2013;Fedorov, 2018, Fedorov, 2020Hornbeck, 2016). Also, the interconnection between popular media culture and promoting aesthetic education was examined by O.A.…”

Section: Discussionmentioning

confidence: 99%

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Portrayals of Families and Family Upbringing in Russian Films: Prospects for Film and Media Education

2024

Media Education (Mediaobrazovanie)

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The research looks into a comprehensive analysis of the family portrayals in Russian feature films in terms of media education. This opens up a whole range of scientific research objectives that would allow such an analysis to be carried out: to define the family portrayals and their role in Russian feature films; to study philosophical and anthropological approaches to family and family upbringing in Soviet and Russian feature films; to determine the main genres of media texts in which the topic is reflected; to state media education objectives at each specific historical stage; to trace the transformational alterations in the family image created in Russian feature films; to consider social, cultural and political contexts of the theme including the media texts authors' concepts of interpreting the topic in Soviet and Russian feature films; to define the typical family patterns presented in audiovisual texts; to specify media education goals at each historical stage; to predict further representation of the topic under study in Russian films of different genres. Moreover, it is essential that the research into the topic of family and familial relationships in Russian films should mainly focus on analysing the opportunities of studying such audiovisual texts that are an effective means of influencing various audiences, especially children and young people, in the context of media education.

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Section: Discussionmentioning

confidence: 99%

Section: Discussionmentioning

confidence: 99%

Portrayals of Families and Family Upbringing in Russian Films: Prospects for Film and Media Education

2024

Media Education (Mediaobrazovanie)

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“…But, of course, the Soviet Screen could not pass by the works of Federico Fellini (1920-1993), Pier Paolo Pasolini (1922), brothers Paolo and Vittorio Taviani and Bernardo Bertolucci (1941-2018.…”

Section: Methodsmentioning

confidence: 99%

“…Active protest from the editor-in-chief of the Soviet Screen D. Orlov (1935Orlov ( -2021 was caused by the film Charlie Bravo (France, 1980) by Claude Bernard-Aubert (1930-2018: Returning his memory to the last days, hours and even minutes of the stay of the French colonialists in Vietnam, the director is trying to sort of revise not so much the political (which would be just stupid today! ), but the moral results of that war imperialist, colonial.…”

Section: Methodsmentioning

confidence: 99%

Western Cinema on the Pages of the Soviet Screen Magazine (1969–1985): Reviews of Western Films

2024

Media Education (Mediaobrazovanie)

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Based on content analysis (in the context of the historical, socio-cultural and political situation, etc.) of texts published during the "stagnant" period of the Soviet Screen magazine (1969)(1970)(1971)(1972)(1973)(1974)(1975)(1976)(1977)(1978)(1979)(1980)(1981)(1982)(1983)(1984)(1985), the authors came to the following conclusions.Of the wide range of Hollywood and British films, Soviet film distribution in the period we analyzed included mainly films with an acute social message, critically showing Western realities. Therefore, it is not at all surprising that these films received maximum support in the Soviet Screen; articles by Soviet film critics emphasized the "progressive anti-bourgeois significance" of these films. It is very significant that, even when reviewing American films, which seemed to be completely far from politics, the reviewers of Soviet Screen demonstrated ideological approaches.Of course, among the reviews of American and British films in Soviet Screen, there also appeared texts that were devoid of a direct appeal to politics. "Apoliticalism" was especially evident in reviews devoted to film adaptations of classical works, which often took place in the 19th century and earlier.Frankly entertaining Hollywood and British films were released into Soviet distribution in the 1970s and the first half of the 1980s quite rarely. And here, Soviet Screen reviewers often sought to distance themselves from edifying political and ideological assessments, concentrating on a professional analysis of the artistic quality of this or that entertaining film.In Italian and French cinema, the Soviet Screen consistently gave preference to political films that "expose capitalist reality." Of course, Soviet Screen, as before, could not ignore the works of Federico Fellini, Luchino Visconti, Michelangelo Antonioni, Francois Truffaut and other outstanding masters of cinema. But here, too, the magazine's reviewers assessed their work mainly within the framework of Marxist ideological principles, on the basis of which even the films of such recognized masters as Federico Fellini were criticized.The sharp rejection of Soviet Screen reviewers was often caused by entertainment films with the participation of Jean-Paul Belmondo, which were reproached for promoting "supermanhood" and violence. The Soviet Screen's reviews of famous French and Italian comedies were more benevolent, but overall rather skeptical.Of course, the range of Western films, for one reason or another, did not reach the Soviet mass audience, was much wider than film distribution.

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“…The third group incorporates papers that are focused on the social history of the Don Cossack Host (Peretyatko, 2016;Peretyatko, Zulfugarzade, 2017a), as well as those dealing with a wide and diverse range of issues, from networked activity (Mingaleva et al, 2017) and cinematography (Fedorov et al, 2017) to historiography (Polyakova, 2015).…”

Section: Incfar's Publication Activitymentioning

confidence: 99%

INCFAR: Characteristics and Challenges (A Fifth Anniversary Tribute)

Tarakanov¹,

Ponomareva²

2019

European Journal of Contemporary Education

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This paper examines the diverse activity of the International Network Center for Fundamental and Applied Research (INCFAR) in conjunction with the institution's fifth anniversary. The authors describe the process of creation and reorganization of the INCFAR Laboratories and discuss the Center's cooperation with other research-and-education establishments around the world. The paper includes an analysis of the key areas of research the Center is currently focused on. The work's materials are grounded in some specialized literature and a body of research literature, as well as certain resources available on the Center's website. In working on this paper, the authors made wide use of the descriptive, statistical, and problem-historical methods, which helped put together a comprehensive picture of the relevant events in their historical sequence. The authors conclude by stating that today the five-year-old INCFAR is a well-ramified research establishment. In addition to its efficient labs and spectacular publication activity, the Center is distinguished by considerable collaboration activity, possesses resources of its own in the area of dissemination of scholarly information, and runs a resource for indexing scholarly periodicals. All this helps make the outcomes of the Center's scholarly work as visible to the potential reader as possible, which, in turn, helps boost the possibility that these works will be known to wider scholarly and pedagogical communities.

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Directions, Goals, Tasks, Author's Concepts of Audiovisual Media Interpretations of the Topic of the School and University in the Russian Cinema (1992-2017)

Cited by 10 publications

References 7 publications

Portrayals of Families and Family Upbringing in Russian Films: Prospects for Film and Media Education

Portrayals of Families and Family Upbringing in Russian Films: Prospects for Film and Media Education

Western Cinema on the Pages of the Soviet Screen Magazine (1969–1985): Reviews of Western Films

INCFAR: Characteristics and Challenges (A Fifth Anniversary Tribute)

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