2021
DOI: 10.3389/fpsyg.2021.789558
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Discursive Marketisation Through Positive Evaluation: A Diachronic Analysis of About Us Texts of Top-Tier Chinese Universities Over the Past Two Decades

Abstract: This study explored the marketisation process of top-tier Chinese universities by scrutinising their self-promotional strategies over the past two decades. Drawing on Martin and White’s (2005) Appraisal framework, we identified all attitudinal markers in the About Us texts posted by 35 top-tier Chinese universities on their official websites at two time-points: the turn of the century and the year of 2021. The 35 universities were drawn from China’s “Double First Class” Initiative that prioritises the developm… Show more

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Cited by 2 publications
(2 citation statements)
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“…Studies on the marketization of universities include fairclough (1993), hoang and rojas-Lizana (2015), Xu, Xie, and Lei (2021), and ead and Saleh (2021), among others. for instance, fairclough (1993) identifies an increasing tendency towards marketization and commodification of discursive practices in contemporary discourses that concern British universities, owing to their expectation to raise a proportion of their funding from private sources.…”
Section: Literature Reviewmentioning
confidence: 99%
“…Studies on the marketization of universities include fairclough (1993), hoang and rojas-Lizana (2015), Xu, Xie, and Lei (2021), and ead and Saleh (2021), among others. for instance, fairclough (1993) identifies an increasing tendency towards marketization and commodification of discursive practices in contemporary discourses that concern British universities, owing to their expectation to raise a proportion of their funding from private sources.…”
Section: Literature Reviewmentioning
confidence: 99%
“…Promotional discourse in the educational sector is mostly interesting, and numerous studies have been carried out in this context (Xu et al, 2021). Previous studies focused on various semiotic modalities, such as texts, images, videos, and written texts, in the form of traditional print or virtual genres, which remain a prominent modality under scrutiny.…”
Section: Introductionmentioning
confidence: 99%