Abstract:Chapter 5 focuses on the half-Taiwanese (Chinese), half-Japanese Takeshi Kaneshiro and his star image on fan forums, where his mixed ethnic identity becomes a central feature of his transnational stardom. This chapter pursues to show how such an identity renders the Chineseness and how the icon embodies onscreen ambivalent and unstable. As the chapter continues to elucidate, the impact of fan manipulation on Kaneshiro’s fluid persona is shown by the exploitation of his half-Japanese identity for charity by som… Show more
“…Thus, the commodification of her image reinforced her cultural capital (Fung & Curtin, 2002). As seen in the discourses on Japanese-Taiwanese actor Takeshi Kaneshiro's complicated and cosmopolitan images, fans of transnational celebrities also co-construct the star's various images and presentations in participatory platforms on cyberspace across the world's different languages and cultures (Lau, 2018). The different interpretations of Donnie Yen (Yen Ji-dan) and his action movies in the Hong Kong and mainland Chinese film markets demonstrate the polysemic nature of popular star personae and film texts (Funnell, 2013).…”
My thanks also go out to the International Communication Association that funded my conference trips and registration fees.Last but not least, I am eternally grateful to my family members, and dear friends-Wu
“…Thus, the commodification of her image reinforced her cultural capital (Fung & Curtin, 2002). As seen in the discourses on Japanese-Taiwanese actor Takeshi Kaneshiro's complicated and cosmopolitan images, fans of transnational celebrities also co-construct the star's various images and presentations in participatory platforms on cyberspace across the world's different languages and cultures (Lau, 2018). The different interpretations of Donnie Yen (Yen Ji-dan) and his action movies in the Hong Kong and mainland Chinese film markets demonstrate the polysemic nature of popular star personae and film texts (Funnell, 2013).…”
My thanks also go out to the International Communication Association that funded my conference trips and registration fees.Last but not least, I am eternally grateful to my family members, and dear friends-Wu
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