2005
DOI: 10.1111/j.1467-9655.2005.00243.x
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Discussions Around a Sand‐drawing: Creations of Agency and Society in Melanesia

Abstract: This article considers the social circumstances of making a marriage diagram, on the island of Ambrym in Vanuatu. It offers a reconsideration of the rather famous case of the 'six-section marriage system' as demonstrated by Cambridge anthropologist Bernard Deacon. It relates this idea of a system to the indigenous practice of making figurative drawings in the sand. The argument is that the marriage diagram drawn for Bernard Deacon was merely an instance of Vanuatu people's institutionalized capability of total… Show more

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Cited by 32 publications
(15 citation statements)
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“…Sand drawing embodies the very definition of diffusion itself as it was imagined in Cambridge in the 1920s: its transient nature necessitating the transferal of cultural knowledge between minds, mediated only by the temporary manifestation of images. I have argued elsewhere (Geismar : chapter 1) that sand drawing may also be seen as an indigenous theorization of connectivity and cultural entanglement, and it was certainly the recognition of the systematic yet transient nature of this cultural practice that inspired Deacon, and others, to link these images to other models of cultural transmission, such as kinship (see Rio ; Taylor ). Deacon photographed, sketched, and carefully drew the drawings, and he asked local people to draw them in chalk on blackboards that he then photographed (see Geismar :537–548).…”
Section: Sand Drawing Sketchesmentioning
confidence: 99%
“…Sand drawing embodies the very definition of diffusion itself as it was imagined in Cambridge in the 1920s: its transient nature necessitating the transferal of cultural knowledge between minds, mediated only by the temporary manifestation of images. I have argued elsewhere (Geismar : chapter 1) that sand drawing may also be seen as an indigenous theorization of connectivity and cultural entanglement, and it was certainly the recognition of the systematic yet transient nature of this cultural practice that inspired Deacon, and others, to link these images to other models of cultural transmission, such as kinship (see Rio ; Taylor ). Deacon photographed, sketched, and carefully drew the drawings, and he asked local people to draw them in chalk on blackboards that he then photographed (see Geismar :537–548).…”
Section: Sand Drawing Sketchesmentioning
confidence: 99%
“…The development of these cognitive tools would plausibly have been enhanced further as diagonal crosshatching designs were modified to loop back into the pattern, creating an integrated whole through interlacing lines. Anthropologists researching ritual knots and symmetrical sand-drawings in Vanuatu, for instance, suggest strong relationships between these designs and various cultural patterns, ranging from the sociohistorical to the sociopolitical [11,12].…”
Section: Introductionmentioning
confidence: 99%
“…Second, agency remains an important analytical term in anthropological research beyond Melanesia, notably in economic anthropology (see Maurer, Nelms, and Rea 2013). By retaining and developing the term further for research on human-animal relations, the possibility for cross-fertilization between this research and equally timely debates will be enhanced (see also Rio 2005).…”
mentioning
confidence: 99%