2020
DOI: 10.4018/978-1-7998-2943-0.ch005
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Disruptive Methodologies and Cross-Curricular Competencies for a Training Adapted to New Professional Profiles

Abstract: Recently, in the translation sector, new multifaceted profiles requiring a great domain of new technologies have emerged: localization, post-editing, and transcreation. To train future professionals, it is necessary to define the cross-curricular competencies they require. Cross-curricular competencies involve gaining cross-disciplinary skills in the teaching-learning process. However, cross-curricular competencies are often relegated to a second place. The main objective of this chapter is to explore how disr… Show more

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Cited by 5 publications
(2 citation statements)
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“…As illustrated in the previous section, the experiences that we analyzed we place at the lower end of the spectrum result from innovation initiatives that do not introduce major changes and not particularly risky because they only slightly modify established practices. Thus, although we cannot generalize through our study, it can be deduced from the selected articles that disruptive music education might have had an upward trend in recent years despite the restrictive elements of regulated studies such as objective assessment tests, rigid schedules, limited spaces, and outdated curricula (Díaz-Millón et al, 2020). Although relatively few examples reflect the emergence of the pandemic, these can drive a forced transformation in the ways music is taught, learned, and practiced.…”
Section: Discussionmentioning
confidence: 90%
“…As illustrated in the previous section, the experiences that we analyzed we place at the lower end of the spectrum result from innovation initiatives that do not introduce major changes and not particularly risky because they only slightly modify established practices. Thus, although we cannot generalize through our study, it can be deduced from the selected articles that disruptive music education might have had an upward trend in recent years despite the restrictive elements of regulated studies such as objective assessment tests, rigid schedules, limited spaces, and outdated curricula (Díaz-Millón et al, 2020). Although relatively few examples reflect the emergence of the pandemic, these can drive a forced transformation in the ways music is taught, learned, and practiced.…”
Section: Discussionmentioning
confidence: 90%
“…In light of the previously exposed scenario, higher education institutions should adapt their teaching and curricular contents to the demands of new professional profiles. To this aim, it is essential to foster the specific and transversal skills linked to these new profiles as well as developing methodologies and evaluation processes related to the dynamics of the professional field [5]. However, transversal competencies have often a secondary role in the curriculum [6,7].…”
Section: Introductionmentioning
confidence: 99%