Donna Haraway : poétique et politique du vivant

Gardey, Delphine

doi:10.3917/cdge.055.0171

Cited by 14 publications

(9 citation statements)

References 11 publications

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“…Ces recherches invitent à considérer le vivant, à la suite de Donna Haraway, au sein d'une « nature » qui serait plutôt une « natureculture », c'est-à-dire non un lieu hors-temps, dépourvu d'histoire et radicalement autre, mais un environnement dans lequel les humains prennent place et auquel ils se relient de façons diverses au cours de l'histoire 33 .…”

Section: Resultsunclassified

Formes vivantes

Hameau¹,

Harthoorn²

2019

ArtSci

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L'exposition Formes vivantes, qui ouvrira le 9 octobre 2019 au Musée national Adrien Dubouché à Limoges, se donne pour objectif d'explorer les relations entre céramique et vivant, de la Renaissance à nos jours. Le présent article vise à exposer les axes principaux de ce projet d'exposition, mêlant histoire des arts décoratifs et histoire des sciences : la production naturaliste, de l'image ressemblante au moulage sur le vif ; les oeuvres qui relèvent d'un imaginaire organique recomposé à partir des formes de la nature ; l'influence des révolutions visuelles que sont la mise au jour du vivant invisible, dans ses dimensions anatomique, microscopique ou génétique. On voit alors que la céramique est un domaine innovant de la création contemporaine, mais aussi que le matériau céramique lui-même, par ses propriétés physiques, est apte à jouer un rôle dans les passages de frontière entre vivant et non-vivant, tant conceptuellement que concrètement, notamment avec l'essor de la céramique biomédicale. Une telle démarche transdisciplinaire, inscrite dans l'actualité de la création et de la recherche, nous permet ainsi d'explorer l'évolution de notre vision du vivant, à la lumière des dernières découvertes scientifiques, mais aussi du point de vue politique, éthique, et esthétique. ABSTRACT. The Formes vivantes (Living forms) exhibition, which will open on October 9th, 2019 at the Musée national Adrien Dubouché, Limoges, France, aims at exploring the relationship between ceramics and the living, from the Renaissance until today. This article will lay out the main axes of the exhibition project : naturalist objects, from images resembling the living to castings of living beings ; works showing how an organic imagination is born from the recomposition of shapes found in nature ; the influence of visual revolutions that brought to sight invisible dimensions of the living, anatomical, microscopic or genetic. The exhibition will show that ceramics can also be an innovative realm of contemporary creation. We also hope to demonstrate how the ceramic material in itself, because of its physical and chemical properties, can play a role in crossing boundaries between the living and the non-living, conceptually, but also in practice, for instance with the emergence of biomedical ceramics. Such a transdisciplinary approach, following the latest developments in artistic creation and scientific research, will allow us to study our relationship to the idea of living, in the light of recent scientific discoveries, but also from a political, ethical and aesthetical point of view. MOTS-CLÉS. céramique, vivant, naturalisme, morphogenèse, impression 3D, arts décoratifs, transdisciplinarité, éthique, esthétique.

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Section: Resultsunclassified

Formes vivantes

Hameau¹,

Harthoorn²

2019

ArtSci

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“…101 Furthermore, different social approaches to science reinvest social connections and influences in the knowledge creation process, advocating for a situated knowledge. 102 In connection, the dichotomy between science and politics is criticized by the ontological and decolonial turn in the philosophy of science. 103 In this direction, Whitt denounces a double instrumentalization of science, which she labels as bioimperialism.…”

Section: Discussion: the Epistocratic Use Of Science In Dsimentioning

confidence: 99%

“…Yard owners require an 'Environment Clearance Certificate' from the Department of Environment to establish a shipyard. 102 The Director Generally typically provides a certificate after an Environmental Impact Assessment (EIA), but there are no established standards to obtain the certificate or environmental experts to monitor EIA reports. The Act prohibits the establishment of any industry without prior approval from the Department of Environment (DoE).…”

Section: Environment Conservation Act 1995mentioning

confidence: 99%

Evolution of Biodiversity Protection in the Framework of European Common Agricultural Policy

Frączak-Banach

2024

JELP

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The Common Agricultural Policy has undergone continuous evolution over the years, moving from a narrow, production-oriented approach to an agriculture with holistic approach, in which agricultural activity is intended to be treated having harmonious and sustainable utilization and rational management of natural resources and components of nature. The goal of protecting biodiversity within the Common Agricultural Policy becomes increasingly visible with each successive financing period; yet its fulfilment encounters numerous difficulties, primarily due to the resistance of Member States to introducing far-reaching changes, as well as due to the resistance of agricultural environments considering the indicated changes as striking their interests. The aim of this article is to evaluate the legal solutions adopted within the framework of the Common Agricultural Policy, both in its initial period of validity and the period commencing from year 2000, when the focus on environmental issues became significantly more prominent. This article also evaluates the currently applicable financial perspective in the context of its potential for protecting biodiversity in agricultural activities.

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“…The bodies of these working women can thus be described and considered as relational bodies, as an extension of care work. In line with Donna Haraway, one could even speak of a hybrid or assemblage to qualify the working figures of migrant women (Gardey 2013;Haraway 2007).…”

Section: Body Politics In Public Spacesmentioning

confidence: 99%

The Power of Speed and the Governance of Space in Urban Life

Paolucci¹

2019

Alternative Takes to the City

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Every Sunday morning, dozens of Ukrainian women occupy Garibaldi Square in Naples, especially the pavement in front of the station. They settle there in groups, of three to four women. They discuss and exchange news. Sometimes, in Garibaldi Square, swarms of Neapolitan men move from group to group and try to make contact. They come to look for badanti to enjoy a pleasant moment of flirtation, or even more if sympathy is developed. Ukrainian women have a bad reputation among Italian women: coming alone from their country of origin, they are known as husband stealers. What is certain is that over the years Garibaldi Square and its surroundings have become fundamental places of sociability for these women (Miranda 2006). And if the station square contributes to forging the bad reputation of Ukrainian women, there are other spaces where, thanks to a sense of Chapter written by Camille SCHMOLL.

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Donna Haraway : poétique et politique du vivant

Cited by 14 publications

References 11 publications

Formes vivantes

Formes vivantes

Evolution of Biodiversity Protection in the Framework of European Common Agricultural Policy

The Power of Speed and the Governance of Space in Urban Life

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