Economia Criativa: Uma Análise Dos Marcos Conceituais Para O Direito

Lelis, Henrique Rodrigues; Brasil, Deilton Ribeiro

doi:10.21527/2176-6622.2018.49.45-67

Cited by 2 publications

(11 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…In conformity with the above data, 49% of the consulted Amazonians agree partially that technology and individuals' culture can help resolve their problems, whereas 38% totally agree with this fact. Therefore, it is clear the 87% of respondents' agreement, corroborating with the approach brought by Lelis and Brasil (2018), that technology and culture can support the resolution of the economic problem of society. These scholars focused on the Australian reality to interpret the product development from the standpoint of environmental services offered by nature, as it's the Amazon Forest case which has a series of attributes to be explored and reverted in consuming products.…”

Section: Raised Concepts Critical Analysis In the Face Of The Amazonian Perceptionsupporting

confidence: 61%

“…According to DUISENBERG (2008), the creative economy can overcome the challenge of social inclusion. Lelis and Brasil (2018) address the historical context of the creative economy, point that the proposition to the resolution of an economic problem can be in using technology and culture. These authors' perceptions go back to the Australian reality of their studies about sustainable products and services development.…”

Section: Theoretical-conceptual Revisionmentioning

confidence: 99%

“…The concept of creative economy is still receiving different treatment in the international scope because international bodies envision in this model a form of protection to fundamental rights, recovery of underdeveloped areas, and improvements in income distribution. To Lelis and Brasil (2018) the creativity is booming. The word got an eye on creative economy and has already noticed its relevance because of its competitiveness and invests in the creative development of individuals that are responsible for the company's growth.…”

Section: Concepts About Creative Economymentioning

confidence: 99%

“…For such cognitive action to occur, the search to fit the economic imperatives and patrimony will be fundamental. On the other hand, to Lelis and Brasil (2018), creative economy is the alignment of cultural diversity, human knowledge, and the technology essential to the making of tradeable products and services; it can be included cultural content protected through intellectual property rules, on a certain alignment that characterizes the economic activity organization. In the creation of something new, many processes are required.…”

Section: Concepts About Creative Economymentioning

confidence: 99%

“…On the other hand, to Madeira (2014), the creative economy is intrinsically related to the digital revolution that raises its use for knowledge and creativity. Lelis and Brasil (2018) update the concept that intellectual property may be an organizational factor in economic activity in certain areas. This concept is the most similar to today's reality because the musical area is one of the most growing areas in this economic segment; indeed, also, it's protected by laws of intellectual rights, in addition to others.…”

Section: Concepts About Creative Economymentioning

confidence: 99%

See 4 more Smart Citations

Instrumentation of the Creative Economy Under the Theory U Concepts

Filho¹,

Madeira²,

Borrero³

et al. 2022

IJBA

View full text Add to dashboard Cite

The West Amazon peoples show a low economic and social development pattern, even when there are plenty of natural resources. It looks like there is a huge gap between these resources, the investments, the knowledge, and the public policies able to create a better life quality for the Amazonians. This work looks forward to promoting the development of the Amazon according to ways shown by the creative economy and the U Theory, special attention will be given to the Amazonian situation and the path to its cognitive development and subsequent economic development. The work is in the academia and communities that search for a viable alternative to creative and sustainable development. From this standpoint, the proposed general objective is to study the instrumentation of the creative economy with input from the U theory. As specific objectives: to perform a critical analysis of the raised concepts (1); to point towards the circularity elements of the creative economy in the community (2); and refer to the acknowledged instrumentation in this study in support to the creative economy, having as baseline the U Theory (3). Hence, the problem proposed is: how the concepts brought up by the creative economy with the support of the U Theory can contribute to the West Amazon’s economic, social and sustainable development promotion. It is meant as qualitative research with a content analysis method, in which the data was gathered through bibliographic search and interviews. In the results, it is proposed a competence and ability management space to the leaderships, beginning at the Amazonian home. It is due to capacitating and training these producers under innovation, entrepreneurship, and sustainability concepts. It is requested the attendance to rules and techniques be respected by the producer of products elaborated with the available raw material.

show abstract

Section: Raised Concepts Critical Analysis In the Face Of The Amazonian Perceptionsupporting

confidence: 61%

Section: Theoretical-conceptual Revisionmentioning

confidence: 99%

Section: Concepts About Creative Economymentioning

confidence: 99%

Section: Concepts About Creative Economymentioning

confidence: 99%

Section: Concepts About Creative Economymentioning

confidence: 99%

See 3 more Smart Citations

Instrumentation of the Creative Economy Under the Theory U Concepts

Filho¹,

Madeira²,

Borrero³

et al. 2022

IJBA

View full text Add to dashboard Cite

show abstract

Derivativos e fluxos de capitais no Brasil

Esteves Lopes

View full text Add to dashboard Cite

Aos meus pais, e, principalmente, à minha mãe, pelo incentivo constante e entusiasmo em relação à minha vida acadêmica. Ao Roberto, meu orientador, pela paciência e solicitude durante todo esse processo e pela presença fundamental na construção do trabalho. À professora Silvia Possas, pela carta de recomendação para a bolsa no preparatório do CORECON-RJ. À Claudinha, pela força que deu a todos nós no curso, em todos os momentos. Aos amigos do CORECON e do mestrado, pela companhia. À Bia, à Mageu e à minha irmã Buengi, que ouviram as minhas reclamações sobre o processo de escrita. À banca de defesa, pela disponibilidade, e à banca da qualificação, que ofereceu comentários que influenciaram diretamente os rumos do trabalho. Aos funcionários do IE, que me ajudaram em diversos momentos. Aos professores, pela experiência formativa. Aos sambas de Barão, por saúde e alegria.O presente trabalho foi realizado com apoio da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior -Brasil (CAPES) -Código de Financiamento 001.Para Tat'etu Kingongo e Tat'etu Pambunjila. ResumoO trabalho consiste numa análise da taxa de câmbio brasileira nas décadas de 2000 e 2010, sob a perspectiva da gestão de riqueza internacional no capitalismo financeirizado, considerando o caráter hierárquico do Sistema Monetário e Financeiro Internacional e o papel do mercado de derivativos sobre a dinâmica do mercado de câmbio brasileiro. Busca-se compreender como as moedas periféricas, como é o caso do Real, tornam-se suscetíveis a movimentos intensos de apreciação e depreciação das suas taxas de câmbio conforme os ciclos internacionais de liquidez. O crescimento do mercado brasileiro de derivativos de câmbio, sobretudo a partir de 2004, introduziu uma particularidade ao mercado de câmbio brasileiro, qual seja, uma relevância pronunciada do mercado futuro na dinâmica do mercado de câmbio de forma geral.O objetivo do trabalho é realizar uma análise do mercado de câmbio brasileiro nas décadas de 2000 e 2010, considerando as dimensões acima e sugerindo uma leitura atualizada da condição ilíquida do Real na hierarquia monetária internacional e da influência da condição periférica da economia brasileira na dinâmica do seu mercado de câmbio. Uma das conclusões do trabalho é a indicação da influência assimétrica do mercado de derivativos de câmbio sobre a taxa de câmbio do Real nas décadas de 2000 e 2010. Durante a década de 2000, esse mercado atua reforçando a tendência de apreciação, por meio das operações de carry-trade com derivativos cambiais. Na década de 2010, não assume papel ativo na tendência de depreciação da década de 2010, tampouco oferece resistência a ela. Outra conclusão é que os fluxos de capitais internacionais e o ciclo de liquidez internacional seguem sendo os principais determinantes da variação da taxa de câmbio do Real, o que reitera sua posição periférica na hierarquia monetária internacional na década de 2010.Palavras-chave: Economia Internacional; Hierarquia monetária; Fluxos internacionais de capitais; Mercado futuro.

show abstract

Economia Criativa: Uma Análise Dos Marcos Conceituais Para O Direito

Cited by 2 publications

References 0 publications

Instrumentation of the Creative Economy Under the Theory U Concepts

Instrumentation of the Creative Economy Under the Theory U Concepts

Derivativos e fluxos de capitais no Brasil

Contact Info

Product

Resources

About