Effect Local Direction on Balinese Traditional Settlement Layout, Case Study: Pengotan Traditional Village in Bali, Indonesia

Wijaya, I Kadek Merta

doi:10.13189/cea.2020.080622

Cited by 3 publications

(9 citation statements)

References 7 publications

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“…There is no family relationship in the form of a "blood" relationship between one dwelling and another-the images of residential architectural layouts in Pinggan and Pengotan villages. The linear patterned housings are grouped into residential clusters, each housing in the cluster has no "blood" relationship [5], [6], [8].…”

Section: Dualism Pattern In Highland Residentialmentioning

confidence: 99%

“…Ulun Danu Batur temple is a place for the Moksa (level of human perfection) of King Sri Aji Jayapangus, an ancestor or someone highly respected by the community [8]. Meanwhile, as the place of origin for Pengotan Village people, Bukit Abang is now before the Panji Sakti expedition [5]. This description shows that the main direction (sacred/Kangin) on the concept is prioritized or respected and has a historical relationship with the population concerned.…”

Section: Dualism Pattern In Highland Residentialmentioning

confidence: 99%

“…The residential architectural layout of Balinese ethnic communities -highland and lowland residential architecture, has a linear residential and nine patterns (nine-zone residential pattern) [1]- [5]. Linear housing patterns usually occur in mountain settlements.…”

Section: Introductionmentioning

confidence: 99%

“…Each residence consists of three zones: the holy place zone, the residential zone, and the outer zone. This picture occurred in Pinggan and Pengotan villages [5]- [8]. Dualism pattern in the highland, namely the main building (Bale Meten or Bale Saka Roras) and supporting facilities (Bale Sakanem).…”

Section: Introductionmentioning

confidence: 99%

“…Respect for older people as a figure who protects their children, people who have died and resided in high places, and people who have death providing safety and well-being to the surviving family. The concept of belief where the person who has died is in the sky, the sky has a meaning as higher space or place, and elevated position on earth is generally a mountain or land higher from other lands [1], [4], [5], [13]- [20].…”

Section: Introductionmentioning

confidence: 99%

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The Paradigm of Antithesis and Harmony as the Dualism of Pattern Fundamental in Architecture of Residential Houses in Bali, Indonesia

Wijaya¹

2021

cea

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Residential architecture in Bali consists of housing in the highlands with a linear pattern (luan-teben pattern) and lowlands with a sanga mandala pattern. The two residential ways form the building masses' configuration with natah (plaza or open space) as the building masses' binding space. The zoning system of building masses creates a dualism relationship pattern that contains Utama (high value) and nista (low value) meanings. The dualism relationship forms a building mass configuration with different building functions and characteristics. The purpose of this study is to examine the importance of the relationship between two building masses in high and lowland residential in the diametric and middle space aspects as the intermediate space or the second node of the diametrical building. The research method used in the study of the meaning of dualism was a qualitative content analysis of the perspective on; (1) space user characteristics; (2) the aspects of the function accommodated; (3) the philosophical background of the user community; and (4) the dynamics of change. The study focuses on highland settlements (Pinggan Village and Pengotan Village) and lowland settlements. This research found: (1) universal meaning based on the general conception of the direction of the sun rising and setting; (2) local purpose from the concept of respect for ancestors in the context of figures and places of origin; (3) the meaning of the antithesis in the context of hierarchy and spatial function; and (4) the meaning of harmony in the context of mutually reinforcing relationships.

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Section: Dualism Pattern In Highland Residentialmentioning

confidence: 99%

Section: Dualism Pattern In Highland Residentialmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

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The Paradigm of Antithesis and Harmony as the Dualism of Pattern Fundamental in Architecture of Residential Houses in Bali, Indonesia

Wijaya¹

2021

cea

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The Domination of Cultural and Symbolic Capital in the Preservation of Temple Heritage Architecture through a Restoration Approach in Bali, Indonesia

Pranajaya¹,

Dwijendra²

2021

cea

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Architecture plays an essential role in various aspects of life and becomes evidence in tracing the nation's history. Efforts to encourage the preservation of historical buildings, including preserving the architectural style of Balinese temples, have been carried out by many people. The traditions and local wisdom of traditional Balinese architecture inherited from the people in Bali can be used as cultural capital and symbolic capital for the development and preservation of traditional Balinese architecture. Restoration activities at the Temple of Guwang Village, Gianyar Bali, Indonesia aim to restore the building as closely as possible to its original form by prioritizing aspects of preservation so that the carving patterns, ornaments, and characteristics of traditional Balinese architecture in the temple still survive as evidence of civilization and historical developments. The exploratory qualitative method [24] was used in this study by triangulation of data collection, namely from documents, observations and in-depth interviews. This research method aims to analyze the dominance of cultural and symbolic capital in the restoration process carried out by the people of Guwang Village. The results of this study will undoubtedly enrich the vocabulary of researchers and readers in understanding the process of restoring the architectural heritage of temples in Bali, and in addition, to offer knowledge in the scientific area of architectural culture and to improve and add understanding, both for authors and readers.

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Design Methods of Vernacular Architecture: Insights from Ngundaginin by Undagi: Bali, Indonesia

Dwi Noorwatha,

Santosa,

Prasetyo Adhitama

et al. 2024

ISVS

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This research examines the Balinese undagi vernacular design method called ngundaginin as an inspiration and reinforcement of contemporary designers' understanding of vernacular design as a process and relationship between the designer and the design object. It thus formulates a design method that can be employd by the Balinese Undagithe traditional architect of Bali vernacular architecture, namely ngundaginin, to preserve the authentic Balinese vernacular architecture through his practice. Undagi is a Balinese vernacular architect whose existence has been recorded since 882 AD and whose condition is getting decadent.The research uses a multidisciplinary systematic literature survey that qualitatively analyses academic records and traditional manuscripts on the design-built stages of Balinese vernacular architecture performed by Undagi. The results are analyzed through the lexicometric method to find the same terms from various works of literature with a diversity of terms in the ngundaginin stage. The literature data is then triangulated and reorganized to get a general pattern of the ngundaginin method. The triangulation process uses traditional scriptural sources (lontar), academics interviews, and contemporary Undagi to understand the vernacular architectural design process in the field textually and practically.The findings rveal that Balinese vernacular architecture symbolizes cosmic beings that will coexist harmoniously with their inhabitants. They show that the ngundaginin method as the design built stage of Balinese Undagi in designing vernacular architecture in Bali consists of three main stages: preconstruction, construction, and post-construction. The ngundaginin method shows the correlation between the Undagi's worldview in Bali vernacular architecture as the final result of their design.

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Effect Local Direction on Balinese Traditional Settlement Layout, Case Study: Pengotan Traditional Village in Bali, Indonesia

Cited by 3 publications

References 7 publications

The Paradigm of Antithesis and Harmony as the Dualism of Pattern Fundamental in Architecture of Residential Houses in Bali, Indonesia

The Paradigm of Antithesis and Harmony as the Dualism of Pattern Fundamental in Architecture of Residential Houses in Bali, Indonesia

The Domination of Cultural and Symbolic Capital in the Preservation of Temple Heritage Architecture through a Restoration Approach in Bali, Indonesia

Design Methods of Vernacular Architecture: Insights from Ngundaginin by Undagi: Bali, Indonesia

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