“…This is how, in previous publications, university teaching and various visual arts projects have worked on the work and development of fragmentation and scalar growth models, which lead to the generation of modules, plots, landscape, etc., understanding minimalism and complexity, as pairs that come together in the generative process (morphological generatrices) showing diverse possibilities of creative assimilation from architecture. In this framework, from a vectorial fragmentation process, in the present work it has been proposed as a general objective, to take modular portions of the frames, deepening the general methodology of work, in order to detect modular configurations that can be worked and modeled, according to criteria of change of position and relationship between its parts, generating arrangements and therefore, new arrangements, which introduce, from a series of variations in position (fitting and disengagement of modules), a wealth of volumetric and spatial configurations, which give way to a basic typology of architectural work, especially if the characteristics and geomorphological features of the territory are considered, typical of cities like Valparaíso, characterized by self-construction and spontaneous densification, in places with variable slopes, where they appear as a constant challenge, the design and potential applicability to such conditions Keywords: Minimalism; morphological generatrices; vectorial frames; emplaced spatial models A partir das propriedades transformacionais e generativas da forma, exploradas por meio de matemática e geometria, como fractais (Mandelbrot, 1984) e sistemas iterativos (Lindenmeyer e Presemslaw, 2000), propõem-se possibilidades de trabalho e modelagem digital, baseadas nas chamadas morfologias do amorfo (Cañete, 2016(Cañete, , 2017a2018). O objetivo é assimilá-las aos princípios da arquitetura e estética moderna e contemporânea, como a linha livre, minimalista e essencial, com especial atenção para a riqueza de seus padrões, configurações, propriedades escalares e transformacionais.…”