2017
DOI: 10.1098/rsos.170912
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Emotion appraisal dimensions inferred from vocal expressions are consistent across cultures: a comparison between Australia and India

Abstract: This study explored the perception of emotion appraisal dimensions on the basis of speech prosody in a cross-cultural setting. Professional actors from Australia and India vocally portrayed different emotions (anger, fear, happiness, pride, relief, sadness, serenity and shame) by enacting emotion-eliciting situations. In a balanced design, participants from Australia and India then inferred aspects of the emotion-eliciting situation from the vocal expressions, described in terms of appraisal dimensions (novelt… Show more

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Cited by 20 publications
(12 citation statements)
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“…However, while durational feature contributed to a larger extent in the native accent, the mean and range of speech intensity contributed more in the foreign and regional accent in differentiating the confidence and doubt. These findings highlight computational mechanisms underlying inter-cultural/group confidence perception in speech communication and lend support to the dialect theory of vocal expression recognition [17][18][19][20][21].…”
Section: Discussionsupporting
confidence: 68%
“…However, while durational feature contributed to a larger extent in the native accent, the mean and range of speech intensity contributed more in the foreign and regional accent in differentiating the confidence and doubt. These findings highlight computational mechanisms underlying inter-cultural/group confidence perception in speech communication and lend support to the dialect theory of vocal expression recognition [17][18][19][20][21].…”
Section: Discussionsupporting
confidence: 68%
“…However, a couple of studies that used rating scales or free responses were included because they also provided data on the proportion of accurate responses (Abelin & Allwood, 2000; Gendron, Roberson, van der Vyver, & Barrett, 2014; Huang, Erickson, & Akagi, 2008). The accuracy criterion excluded studies that investigated emotion recognition using dimensional ratings (e.g., activation, valence, emotion intensity, appraisal dimensions)—which do not provide measures of accuracy (e.g., Koeda et al, 2013; Nordström, Laukka, Thingujam, Schubert, & Elfenbein, 2017; Pfitzinger, Amir, Mixdorff, & Bösel, 2011).…”
Section: Methodsmentioning
confidence: 99%
“…A more typical approach has been to match vocal bursts to discrete emotions, using words or brief stories depicting antecedents (Cordaro et al, 2016; Simon-Thomas et al, 2009). More recently, investigators have been gathering ratings not only of emotion categories, but also inferred appraisals and intentions (Nordström, Laukka, Thingujam, Schubert, & Elfenbein, 2017; Shuman et al, 2017). By combining such data with statistical approaches developed in the study of emotional experience (Cowen & Keltner, 2017), we can compare how emotion categories and affect appraisals shape emotion recognition.…”
Section: The Present Investigationmentioning
confidence: 99%