“…Given that understanding the challenges and opportunities of EMI courses improves their quality ( Walkinshaw et al, 2017 ; Wei et al, 2017 ), many academics and researchers worldwide have investigated the advantages and disadvantages of implementing EMI in higher educational contexts (e.g., Bradford, 2016 ; Martínez, 2016 ; Cankaya, 2017 ; Kim, 2017 ; Kim et al, 2018 ; Phuong and Nguyen, 2019 ; Aizawa and McKinley, 2020 ; Toh, 2020 ; Diezmas and Barrera, 2021 ; Kamaşak et al, 2021 ; Soruç et al, 2021 ; Ter-Vardanyan, 2021 ; Wang and Derakhshan, 2023 , to cite a few). Moreover, some scholars have particularly scrutinized the advantages and disadvantages of implementing EMI in Chinese academic settings (e.g., Yang et al, 2019 ; Pun and Thomas, 2020 ; Pun and Jin, 2021 ; Zhou et al, 2022 , among others). However, to the best of the scholars’ knowledge, no empirical study has been undertaken to identify the opportunities and challenges of executing EMI in Chinese art and music classes.…”