1998
DOI: 10.1016/s0743-0167(98)00013-8
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Entrepreneurialism, commodification and creative destruction: a model of post-modern community development

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Cited by 177 publications
(161 citation statements)
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“…Lack of recognition of the importance of animatorship helps to explain the failure of approaches to community development such as the EU 'LEADER' rural development programme (Ray 2000;see also Shortall 2004see also Shortall , 2008 and the vulnerability of community resources to commercial exploitation (Mitchell 1998). Our argument here is that the tendency of policy to ignore or by-pass potential animators within a community is at least partially responsible for such failure.…”
Section: Animatorship In Depleted Communitiesmentioning
confidence: 89%
“…Lack of recognition of the importance of animatorship helps to explain the failure of approaches to community development such as the EU 'LEADER' rural development programme (Ray 2000;see also Shortall 2004see also Shortall , 2008 and the vulnerability of community resources to commercial exploitation (Mitchell 1998). Our argument here is that the tendency of policy to ignore or by-pass potential animators within a community is at least partially responsible for such failure.…”
Section: Animatorship In Depleted Communitiesmentioning
confidence: 89%
“…(1996), (2) the model of the potential of the immovable property in creating competitive advantages in the rural community, Bryden, J.M. (1998), according to which the economic development of rural areas depends on a combination of tangible and intangible assets, as well as the manner in which they are interrelated within a local context, (3) the model of community development through creative destruction, Mitchell, c.J.a. (1998), which assumes that the development of the traditional villages is based on mutual relations in terms of entrepreneurial initiative, commodification of the rural heritage of the destruction of the rural idyll.…”
Section: Background Of General Socio-economic Situation In Rural Areamentioning
confidence: 99%
“…17 This perspective has been refined by locating it within cycles of investment and disinvestment that produce dynamic sites of accumulation and creative destruction. 18 The selective commodification and consumption of past cultural values and landscapes…”
Section: Situating Personal Landscapes In the Industrial Heritage Dismentioning
confidence: 99%