Evolution and the war / by P. Chalmers Mitchell.

Mitchell, P. Chalmers

doi:10.5962/bhl.title.29989

Cited by 125 publications

(243 citation statements)

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“…[22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37][38] The dye is soluble in water to at least 1% and the solution appeared to be stable for many months. Maximum ultraviolet light absorp tion was at 315 m/x.…”

Section: Resultsmentioning

confidence: 99%

The Basis of the Determination of Cell Viability With the Fluorochrome Primuline

Graham¹

1970

Journal of the Institute of Brewing

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The fluorochrome primuline has been shown, by the micromanipulation of individual stained yeast cells, to bea useful stain for the determination of cell viability.A high correlation (96%) between non-fluorescence and viability was demonstrated for cells taken from young cultures, but the correlation decreased with increasing age of the cell suspension. The correlation between fluorescence and non-viability was 100% for yeast cells taken from any environment. Cells which were stained green after primuline treatment were inferred to be non-viable but an absolute correlation between non-viability and the "green" reaction could not be demonstrated.The staining technique was tested with animal cells (Paramecia, Amoebae) and the correlation between fluorescence and non-viability was confirmed. The staining result with a mammalian cell line was not confirmed by cell culture.The primuline technique for viable cell counts was primarily dependent on the loss of the selective permeability of the plasma membrane.

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Section: Resultsmentioning

confidence: 99%

The Basis of the Determination of Cell Viability With the Fluorochrome Primuline

Graham¹

1970

Journal of the Institute of Brewing

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“…En el fondo, la cuestión se circunscribe a los límites que tiene el lenguaje, ya sea escrito, hablado o visual, para describir esas atrocidades y cómo abordar un relato que las represente. Sin embargo, son los terroristas los que hablan el idioma de lo irrepresentable y los que son capaces de poner en imagen el dominio de las atrocidades inimaginables 64 . Nosotros, como historiadores, debemos tratar de comprenderlas y estudiarlas, aunque analizar el vídeo de una decapitación o ejecución suponga un ejercicio complejo en el que nuestra ética o moral puede verse zarandeada.…”

Section: Los Cineastas Verdugos Y La Iconoclasia Sobre La Carneunclassified

(No) son sólo imágenes: iconoclasia y yihad 2.0 / They Are (not) just Images: Iconoclasm and Jihad 2.0

Sánchez

2017

anuario

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El grupo terrorista Daesh ha difundido de manera global terribles vídeos de decapitaciones y de destrucción de patrimonio. El presente artículo trata de estudiar ambas prácti-cas en función del gesto iconoclasta y situarlas en el contexto de la llamada guerra de imágenes que define a nuestro tiempo. El artículo analiza teorías iconoclastas, el uso de las redes sociales por parte de los terroristas y cuál es el papel de las imágenes en la guerra virtual desatada por el Daesh. PALABRAS CLAVEIconoclasia. Daesh. Imagen. Web 2.0. Yihad. ABSTRACTThe terrorist group Daesh has broadcast worldwide shocking videos of heritage destruction and human beheadings. This paper analyses both practices as iconoclastic gestures within the context of the so-called "war of images" that defines our present days. The paper focuses on iconoclastic theories, the use of social media by terrorists and the role of images in the virtual war waged by Daesh. A lo largo del último año se han producido una serie de acontecimientos que han tenido a la imagen como protagonista. Los asesinatos de los dibujantes de la revista Charlie Hebdo a comienzos de 2015 y las actuaciones de los terroristas del Daesh 1 destruyendo estatuas milenarias, dinamitando templos en palmira o degollando periodistas en vídeos cuidadosamente editados han puesto de relieve que la imagen, hoy en día, sigue siendo una fuente de conflictos. Estos sucesos dramáticos e impactantes se sitúan en un contexto bélico, social, religioso y cultural convulso, complejo, poliédrico, de difícil comprensión, que todavía se encuentra en curso y, desgraciadamente, sin visos de una resolución humanitaria. Todo ello hace que cual-1 Hemos optado por mantener a lo largo del texto la denominación Daesh para referirnos al grupo terrorista frente a otros nombres o acrónimos con los que se conoce, como Estado Islámico, EIIL, ISIS, EI, ISIL, Estado Islámico de Irak y de Levante, así como los nombres que le precedieron tras su desvinculación de Al Qaeda. Sobre este punto, Loretta NApoLEoNI, El fénix islamista. El Estado Islámico y rediseño de Oriente Próximo, Barcelona, 2015, p. 15. KEY WORDS

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“…60 This language calls to mind Pierre Nora's templum-a space within which everything is significant, and also the genre expressions of feeling rather than of meaning. 86 This discourse of feeling and the quest for meaning has compelled post-traumatic writers to repeatedly visit the site of their inadequately processed experiences. In these realms of memory they offer painful sacrifice to the past in energetic, pseudosymbolic language that swerves between fact and fiction, unable, finally, to find a context in which their traumatic experiences will have meaning.…”

Section: Genres Of Truthmentioning

confidence: 99%

Post-traumatic memory projects: autobiographical fiction and counter-monuments

Jensen

2013

Textual Practice

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Evolution and the war / by P. Chalmers Mitchell.

Abstract: If I may be permitted a comment on my own work, it is that a serious presentation of some difficult biological problems is submitted here in a slight and topical form.

Cited by 125 publications

References 0 publications

The Basis of the Determination of Cell Viability With the Fluorochrome Primuline

The Basis of the Determination of Cell Viability With the Fluorochrome Primuline

(No) son sólo imágenes: iconoclasia y yihad 2.0 / They Are (not) just Images: Iconoclasm and Jihad 2.0

Post-traumatic memory projects: autobiographical fiction and counter-monuments

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