2012
DOI: 10.14361/transcript.9783839420980.19
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»Experimentierkunst«

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Cited by 2 publications
(2 citation statements)
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“…The first two combine personal inspiration, 'creative freedom' and the specific conditions of creative practice, the lab focuses on the scientific simulation of reality and the workshop is concerned with engineering and the production of the world. Thus the programme encourages students to playfully imagine, model and make connections, relationships or associations between ideas and phenomena under investigation; not to find an answer, but rather a starting point or an "attitude" [25,26]. Like "the arena, the card-table, the magic circle, the temple, the stage, the screen, the tennis court, [and] the court of justice", the learning place can be seen as "a playground, a place where 'special rules obtain', dedicated to the performance of an act apart" [1].…”
Section: The Space Of Playmentioning
confidence: 99%
“…The first two combine personal inspiration, 'creative freedom' and the specific conditions of creative practice, the lab focuses on the scientific simulation of reality and the workshop is concerned with engineering and the production of the world. Thus the programme encourages students to playfully imagine, model and make connections, relationships or associations between ideas and phenomena under investigation; not to find an answer, but rather a starting point or an "attitude" [25,26]. Like "the arena, the card-table, the magic circle, the temple, the stage, the screen, the tennis court, [and] the court of justice", the learning place can be seen as "a playground, a place where 'special rules obtain', dedicated to the performance of an act apart" [1].…”
Section: The Space Of Playmentioning
confidence: 99%
“…unter anderem Shapin 1992, Hacking 1992, Martin 1998, Rheinberger 2007, Chołuj/ Joerden 2007, Fischer 2007; zur Bedeutung Flecks in Medien-, Kunst-und Literaturwissenschaft vgl. jüngst Gamper 2010, Zittel 2011.…”
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