Exploring the intellectual structure of creative economy research and local economic development: a co-citation analysis

Lazzeretti, Luciana; Capone, Francesco; Innocenti, Niccolò

doi:10.1080/09654313.2017.1337728

Cited by 42 publications

(40 citation statements)

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“…During the 1990s, following the recognition by the United Kingdom government of creative industries as 'central' to the making of its post-industri-al economy, there has occurred a marked upturn in international academic and policy discourse around creative industries (White, 2010;Kong, 2014;Cruz, Teixeira, 2015;Cunningham, Potts, 2015;Jones et al, 2015;Tremblay, 2015;Bialic-Davedra et al, 2016;Lampel, Germain, 2016;Lazzeretti et al, 2017;Mitkus, Maditinos, 2017). Sternberg (2017) maintains that creative segments of economies emerged and subsequently strengthened as a popular target for policy-makers in particular after the publication of Florida's (2002; seminal works on the 'creative class' .…”

Section: Introductionmentioning

confidence: 99%

Suburban creativity: The geography of creative industriesin Johannesburg

Gregory

Rogerson

2018

Bulletin of Geography. Socio-Economic Series

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Creativity is an increasing scholarly focus for urban and economic geographers. The aim in this paper is to contribute to what is so far mainly a Northern literature around the locational characteristics of creative industries. The results are analysed from a comprehensive audit undertaken of creative industries in Johannesburg, South Africa’s leading economic hub. In common with certain other investigations of creative industries the largest component of enterprises in Johannesburg is creative services involving the production of goods or services for functional purposes. An aggregate picture emerges of the geography of creative industries in Johannesburg as strongly focused in suburban areas rather than the inner-city and its fringe areas. Nevertheless, certain differences are observed across the eight categories of creative industries. The evidence concerning the spatial distribution of creative industries in Johannesburg provides a further case for re-positioning the suburbs in post-Fordist debates around creative city economies and for re-examining neo-liberal cultural policies that preference inner-city areas.

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Section: Introductionmentioning

confidence: 99%

Suburban creativity: The geography of creative industriesin Johannesburg

Gregory

Rogerson

2018

Bulletin of Geography. Socio-Economic Series

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“…Other contributions relate to the socioeconomic changes that have occurred over the period and point out how the research stream on CCIs has become part of a transformation in the overall socioeconomic environment, as highlighted by Lash and Urry's [1994] contribution on the economy of sign and space, Sassen's [1991] work on the global city, Castell's [1996] study on the role of networks in society, Nelson and Winter's [1982] work on an evolutionary theory of economic change, or Pine and Gilmore's [1999] research on the experience economy. This was also a result regarding a larger analysis on the founders of CER (Lazzeretti et al 2017).…”

Section: Analysis Of the Founders Of Ccismentioning

confidence: 58%

“…To analyse the evolution of CER over time, we followed a bibliometric approach based on SNA (Scott and Carrington 2011), which has recently emerged thanks to the availability of important databases such as WoS and Scopus. This approach, which has now become popular, has not yet been applied to creative research as a whole except in a few studies (Lazzeretti et al 2017). Concerning CER, the number of studies remains small.…”

Section: Objectives and Methodology: The Bibliometric Approach And Somentioning

confidence: 99%

“…Our methodological approach follows the work developed by Lazzeretti et al (2014Lazzeretti et al ( , 2017, analysing the most cited authors (disseminators) and their backward citations (founders). After analysing the evolution of CER (1.4.1) and the journals that published most articles on CER (1.4.2), we consider the main CER research themes (1.4.3), pointing out the increasing relevance of the research on CCIs.…”

Section: Methodological Approachmentioning

confidence: 99%

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The rise of cultural and creative industries in creative economy research: a bibliometric analysis

Lazzeretti¹,

Capone²,

Innocenti³

2018

Creative Industries and Entrepreneurship

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Research on cultural and creative industries (CCIs) is of growing importance in the field of the creative economy (Jones et al. 2015; Potts 2016). Following the early contributions on creative cities or creative class (Landry 2000; Florida 2002), CCIs have come to represent an increasingly independent topic, with a shift in focus from 'cultural industries' to 'cultural and creative industries' (Cunningham 2002). CCI research has become a regular theme in academic journals and conferences all over the world (Lazzeretti et al. 2017). Creative industries are more and more acknowledged as a driver for economic development and urban economic growth, as well as a source of innovation (De-Miguel-Molina et al. 2012; Lee and Rodríguez-Pose 2014). A relevant stream of research has also addressed the role of creative industries and clustering of CCIs for local and regional development (De-Miguel-Molina et al. 2012; Boix et al. 2014; Gong and Hassink 2017); this has culminated in the discussion of creative and cultural industries policy for European Union (EU) smart growth (Cooke and De Propris 2011). CCIs are increasingly recognised as a priority sector emerging from actual financial and economic crises. Moreover, notwithstanding the fact that CCIs were originally mainly developed in Europe (DCMS 1998), there has been rising research interest in this field by several scholars in Asia and developing countries all over the world (Yusuf and Nabeshima 2005; Barrowclough and Kozul-Wright 2008). Recently, some sectors have grown intensively and they are now at the * Due to limited space, references of the bibliometric analysis between squared brackets are not reported in the reference section, but can be found in Table 1.2 and Figure 1.3.

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“…This method connects two documents that appear together in the references of the same papers into networks. It is an indication that the two papers have derived on common knowledge (Lazzeretti et al, 2017). It occures when two documents without any direct relationship are cited simultaneously by other documents.…”

Section: Co-citationmentioning

confidence: 99%

Corporate Strategy and Industry 4.0: Bibliometric Analysis on Factors of Modernization

Ajdovec¹,

Batista²,

Vidmar³

2017

DRMJ

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The fourth industrial revolution has produced several new fields of research, yet the areas of management and business are lagging behind. The aim of the present paper is to show connections and common thoughts within various literature areas, identify the main theoretical influxes into the field, and make informed suggestions for its future development. The analysis is conducted through the use of bibliometric methods, specifically co-citation analysis (Small, 1973) and bibliographic coupling (Kessler, 1963). Co-citation is defined as the frequency with which two units are cited together while bibliographic coupling uses the number of references shared by two documents as a measure of the similarity between them (Zupic & Čater, 2015). This enables us to identify relevant clusters that will show which scientific areas are most commonly connected with our chosen keywords. Furthermore, we will elaborate the advantages, disadvantages, effects and possible implications of the new robotization era processes on companies' business model transformation and changes in organizational structures, with an emphasis on the strategy of firms and the management behind it.

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Exploring the intellectual structure of creative economy research and local economic development: a co-citation analysis

Cited by 42 publications

References 50 publications

Suburban creativity: The geography of creative industriesin Johannesburg

Suburban creativity: The geography of creative industriesin Johannesburg

The rise of cultural and creative industries in creative economy research: a bibliometric analysis

Corporate Strategy and Industry 4.0: Bibliometric Analysis on Factors of Modernization

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