“…These studies were published in English or Chinese and originated from various countries worldwide: China ( n = 7) (Yi, 2015 ; Junmei, 2016 ; Xinjian, 2017 ; Zhu et al, 2018 ; Qi et al, 2019 ; Yu, 2019 ; Wang et al, 2020 ), USA ( n = 2) (Barnes et al, 2013 ; Aguiñaga, 2016 ), Malaysia ( n = 1) (Adam et al, 2016 ), Spain ( n = 1) (Bisbe et al, 2020 ), Japan ( n = 1) (Doi et al, 2017 ), Philippines ( n = 1) (Dominguez et al, 2018 ), and Greece ( n = 1) (Lazarou et al, 2017 ). Ten studies were RCTs (Barnes et al, 2013 ; Yi, 2015 ; Aguiñaga, 2016 ; Junmei, 2016 ; Doi et al, 2017 ; Lazarou et al, 2017 ; Zhu et al, 2018 ; Qi et al, 2019 ; Bisbe et al, 2020 ; Wang et al, 2020 ), and four studies (Adam et al, 2016 ; Xinjian, 2017 ; Dominguez et al, 2018 ; Yu, 2019 ) were quasi-experimental trials. Five studies compared a dance intervention to regular drug treatment or therapy (Barnes et al, 2013 ; Yi, 2015 ; Junmei, 2016 ; Xinjian, 2017 ; Dominguez et al, 2018 ); five compared dance interventions to educational programs (Doi et al, 2017 ; Zhu et al, 2018 ; Qi et al, 2019 ; Yu, 2019 ; Wang et al, 2020 ); two used randomized cross-over designs (Aguiñaga, 2016 ; Lazarou et al, 2017 ); one compared dance to physical therapy (Bisbe et al, 2020 ); and one compared dance to relaxation exercises (Adam et al, 2016 ).…”