2007
DOI: 10.1111/j.1468-0467.2007.00250.x
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Feeling is believing, or landscape as a way of being in the world

Abstract: This article is work-in-progress, an orientation of thought towards possibilities for individual human beings to diminish the distance between outer and inner landscapes imposed by cultural norms and happenstances such as exile. The dominance of visual landscapes and visual perceptions is seen as a pivotal problem, to be solved by the engagement of all the senses in landscape discourse and formation. All the senses are engaged in earliest childhood, as they have been in 'primitive' societies. While returning t… Show more

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Cited by 24 publications
(12 citation statements)
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“…Rhythmical movements like daily work patterns and their material realisations in a landscape, traffic flows, walkways and even wind are strong identity markers as stable objects. As Edmunds Bunkše shows (Bunkše 2004;Bunkše 2007), it is the perceived difference or similarity in such rhythms more than in the visible part that can create a feeling of semiotic uprootedness or rootedness in a landscape. Figure 3 depicts the everyday life patterns of fishing in Ainu villages in Hokkaido, where the habitual practice of fishing and preserving the catch has formed a visible, albeit ephemeral rhythm in the landscape in the shape of drying salmons, which for the inhabitants (or Ainu activists) is almost emblematic of the whole culture and symbolises Ainu cultural virtues.…”
Section: Senses and Rhythmsmentioning
confidence: 96%
“…Rhythmical movements like daily work patterns and their material realisations in a landscape, traffic flows, walkways and even wind are strong identity markers as stable objects. As Edmunds Bunkše shows (Bunkše 2004;Bunkše 2007), it is the perceived difference or similarity in such rhythms more than in the visible part that can create a feeling of semiotic uprootedness or rootedness in a landscape. Figure 3 depicts the everyday life patterns of fishing in Ainu villages in Hokkaido, where the habitual practice of fishing and preserving the catch has formed a visible, albeit ephemeral rhythm in the landscape in the shape of drying salmons, which for the inhabitants (or Ainu activists) is almost emblematic of the whole culture and symbolises Ainu cultural virtues.…”
Section: Senses and Rhythmsmentioning
confidence: 96%
“…Many who feared deportation to Siberia fled Latvia, ended up in displaced person camps, and, unable to return home, were relocated to countries in the West accepting exiles. Like the immigrants described by Nazarea, many of these people tried to recreate Latvian landscapes through planting familiar trees and vegetation (Bunkše 2007). And thus it is equally symbolic that after so many years abroad, many people from the diaspora did not return to Latvia, but some sent seeds from their gardens to the farm's collection, to make the journey for them.…”
Section: Seeds Of the Displacedmentioning
confidence: 99%
“…This enables the identification of different forms of integration between spaces and people ARTÍCULO:Traer el bosque a sus domicilios. Transformaciones de los modos de significar el espacio habitado/Juan Carlos Skewes Vodanovic, Felipe Trujillo Bilbao y Debbie Guerra Maldonado la materialidad de la que son parte (Bunkše, 2007). De este modo se visibilizan formas de integración entre espacios y personas que no se reducen exclusivamente a relaciones de contemplación o de admiración estética, sino que incorporan sistemas de interconexión con el mundo de los seres no humanos y de las cosas (Conradson y McKay, 2007).…”
Section: Social Sciences Have Progressively Incorporated Affects and unclassified
“…(Basso, 1996). The relationship is made flesh in the forms of residence used by individuals, who need to creatively coexist with the material dimension in which they are immersed (Bunkše, 2007). This enables the identification of different forms of integration between spaces and people ARTÍCULO:Traer el bosque a sus domicilios.…”
Section: Social Sciences Have Progressively Incorporated Affects and mentioning
confidence: 99%