1998
DOI: 10.1017/s0047404598004035
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Figures of speech: Figurative expressions and the management of topic transition in conversation

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Cited by 85 publications
(65 citation statements)
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“…In lines 1 to 5, B restates his main point, namely that in this particular case, imitation would lead to a lack of authenticity (pseudo-Antwerps, l. 3) that is likely to be perceived by the audience (dan val je door de mand you ll get caught out l. 5). The figurative expression dan val je door de mand literally then you fall through the basket is summative and closure-implicative (Drew & Holt 1998), and in response, A attempts another reformulation, which will both display understanding of " s main point, and confirm that sequence closure is appropriate, as no new information is immediately available. The repair (lines 6-7), produced with prosodic marking, addresses a problem in this reformulation.…”
Section: Additional Observationsmentioning
confidence: 99%
“…In lines 1 to 5, B restates his main point, namely that in this particular case, imitation would lead to a lack of authenticity (pseudo-Antwerps, l. 3) that is likely to be perceived by the audience (dan val je door de mand you ll get caught out l. 5). The figurative expression dan val je door de mand literally then you fall through the basket is summative and closure-implicative (Drew & Holt 1998), and in response, A attempts another reformulation, which will both display understanding of " s main point, and confirm that sequence closure is appropriate, as no new information is immediately available. The repair (lines 6-7), produced with prosodic marking, addresses a problem in this reformulation.…”
Section: Additional Observationsmentioning
confidence: 99%
“…So a question should be answered, a greeting returned, a request should be granted or rejected, an invitation accepted or declined and so on. ii Likewise, complaint sequences have been understood in terms of an initial action, the complaint, making relevant a specific type of paired action, one which either affiliates or disaffiliates with the complaint -the positive, affiliative response being 'preferred' over negative or disaffiliative responses, which are dispreferred (examples in the literature of complaint sequences treated as adjacency pairs include Dersley and Wootton 2000, Drew 1998, Pomerantz 1984:63 and Schegloff 1988). An example which might seem to illustrate the character of complaints as initiating adjacency pairs is the following, from a telephone conversation between two women, one of whom (Robbie) has recently started teaching at a school at which Lesley has taught in the past.…”
Section: Affiliation Through Collaborating In Complainingmentioning
confidence: 99%
“…ii For more on adjacency pairs, see for example Sacks 1992: 521-541 and elsewhere;Heritage 1984, Schegloff 2006 iii On the use of figurative expressions -'ticking over' meaning 'idling', not putting any effort of drive (to complete the motor metaphors) into work -in complaint sequences, especially drawing them to a close, and their role in agreement/affiliation, see Holt 1988 andHolt 1998. iv Comic Relief is a charity event in the UK, really a series of events, focusing on one day each year when TV shows, for instance, all have some comic theme and are aimed at raising money for charities (mostly children's charities) through viewer donations. The focal day for these events in known as Red Nose Day, when children are encouraged to wear red noses to school, and there's lots of boisterous fun.…”
mentioning
confidence: 99%
“…Molly receipts this with the SCT oh okay (Schegloff, 2007) and turns away from Hannah (Rossano, 2012), thereby treating the sequence as nearing completion. In overlap (line 5), Hannah also orients to sequence closure by turning away from Molly while producing an upshot just so you know (see Drew and Holt, 1998), which serves to end her warning to Molly. And so this sequence has arrived at possible completion, as each participant has disengaged both verbally and bodily (Goodwin, 1981).…”
Section: Introductionmentioning
confidence: 99%