Film et texte, émotion et cognition

Hahonou, Eric Komlavi

doi:10.4000/slaveries.431

Cited by 2 publications

(1 citation statement)

References 13 publications

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“…The performative power of film encourages to reflect on the significance of the terms used and to rethink how their usage may question social hierarchies or on the opposite may help to maintain social hierarchies. 37 The power of putting history on film in such context is potentially de-multiplied, as it helps freeing the word in communities where some social realities are still partly unutterable, denied and silenced.38 Moving images can tell and/or show historical and contemporary social hierarchies and violence that cannot otherwise be expressed and put in word in the public space beyond the family circles. But research action through film has also its own limits, both practically and methodologically.…”

Section: Epilogue: Action Research Through Filmmentioning

confidence: 99%

Documenting the History of Slavery on Film in Kayes, Mali

Rodet

2020

J. Global Slavery

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In 2010 I filmed descendants of formerly enslaved populations in Kayes narrating the history of their ancestors and the realities of internal slavery in West Africa. The result was a 23-minute documentary film entitled “The Diambourou: Slavery and Emancipation in Kayes—Mali,” which was released in 2014. The film was as much responding to specific historiographical questions in the field as a tool of research action to raise awareness among younger generations and to fight legacies of social discrimination today. With the exactions perpetuated against descendants of formerly enslaved populations in the Kayes region since 2018, the film, via its access-free online version, has experienced a second life as an anti-slavery activist medium, helping to bridge the gap between endogenous historical fighting against slavery and contemporary anti-slavery activism in the Soninke diaspora.

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Section: Epilogue: Action Research Through Filmmentioning

confidence: 99%

Documenting the History of Slavery on Film in Kayes, Mali

Rodet

2020

J. Global Slavery

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Le film de recherche comme modalité de production d’un discours scientifique en anthropologie de la santé

Démolis¹,

Benhadj²

2020

anthropologiesante

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Dans le cadre d’une recherche socio-anthropologique portant sur les usages médicamenteux des personnes âgées polymédiquées en Suisse, une anthropologue et une réalisatrice élaborent un film de recherche interrogeant le statut scientifique qu’il est possible d’attribuer aux films de recherche et engagent une réflexivité à deux voix sur les divers défis épistémologiques, techniques et déontologiques rencontrés. Cette démarche leur permet d’interroger l’apport d’une production filmique de recherche au champ anthropologique. La mise en présence des données audiovisuelles donne à voir le terrain dans toute son épaisseur, et permet également aux acteurs de l’étude de développer une nouvelle mise en récit, qui montre leur expertise. Elle est particulièrement significative pour l’analyse anthropologique dont la réflexion se façonne, lors de la réalisation de terrains, grâce à la mobilisation de l’intuition et de l’imagination ethnographique du/de la chercheur.e et ouvre l’échange entre pairs.

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Film et texte, émotion et cognition

Cited by 2 publications

References 13 publications

Documenting the History of Slavery on Film in Kayes, Mali

Documenting the History of Slavery on Film in Kayes, Mali

Le film de recherche comme modalité de production d’un discours scientifique en anthropologie de la santé

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