From monologue to dialogue; Radio and reform in Indonesia

Jurriëns, Edwin

doi:10.26530/oapen_377413

Cited by 5 publications

(3 citation statements)

References 1 publication

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“…Colloquial Indonesian has been conceptualised as an informal social style, not necessarily identified with any particular social group (Englebretson 2003;Ewing 2005). However, increasingly in certain domains such as radio broadcasts (Jurriëns 2009;Manns 2014a, b), fiction (Djenar 2008(Djenar , 2012, comics (Djenar and Ewing 2015;Ewing 2015), and computer-mediated communication (Manns 2010), colloquial language is strongly associated with youth practices. In the past three decades, there has been a shift from viewing colloquial Indonesian as simply a non-standard informal variety of the language to viewing it in generational terms as falling in the particular prevue of young people.…”

Section: Language Resources Available To Indonesian Youthmentioning

confidence: 99%

Style and Intersubjectivity in Youth Interaction

Djenar¹,

Ewing²,

Manns³

2018

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This book is the product of a collective intellectual exploration and a shared interest in the language practices of young people in Indonesia. Through numerous meetings, both face-to-face and via Skype, we have discussed and debated different theoretical concepts as well as the many examples that appear in this book. Though the three of us have known each other for some years, writing a book together has afforded us the opportunity to appreciate the differences in our academic background and interest and given us the courage to meet the challenge of aligning differing analytical perspectives in order to provide a rich account of the multi-situated nature of language use. Meeting that challenge was not always easy but was always a fruitful process. When we embarked on this project, we knew that examining youth language practices would be a satisfying endeavour. We are very grateful to the young participants in Bandung and Malang for allowing us to record their conversations, and to authors of Teenlit in Jakarta, Bandung, Yogyakarta and Surabaya for granting us interviews. Editors of Teenlit at Gramedia Pustaka Utama and Gema Insani in Jakarta, and Mizan in Bandung have been particularly welcoming. We also thank Simon Chandra of Cendana Art Media Publishers, Sheila Rooswitha Putri and Ronny Amdani of Curhat Anak Bangsa Publishers for kindly granted us permission to reproduce the comic work presented here. We owe a debt of gratitude to our research assistants, who dedicated many hours to transcription and annotation, and helped us with the occasional tricky teen word or youth cultural reference: Eliyana, Refdinal Hadiningrat, Asdit Leonitara, Linda Mayasari, Harni Kartika Ningsih and Catrine Ana Prastyari. Particular gratitude is due to Enung Rostika, who led the collection and transcription effort in Bandung, and Catur Siwi Dia Rachmatika, who did the same in Malang. Our sincere thanks also go to Jo Taylor whose keen editorial eye efficiently refined this manuscript in its closing days. Our respective institutions have provided study leave to enable us to work on this project and financial support in the form of travel grants, research assistant funding and editing assistance. We are grateful for the generous support provided by the University of Sydney (Faculty of Arts and Social Sciences),

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Section: Language Resources Available To Indonesian Youthmentioning

confidence: 99%

Style and Intersubjectivity in Youth Interaction

Djenar¹,

Ewing²,

Manns³

2018

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“…Many other factors are interrelated to each other in influencing income, including good broadcast programmes, a large number of listeners, having passionate managers, having creative employees, reliable broadcast technology, interactive listeners, the ability to change, qualified management, and a conducive socio-political climate (Achmad & Ida, 2019;Nugroho et al, 2012;Sen, 2003). Among these factors, the most important is the ability of radio to change and adapt to the development of communication technology (Geller, 2011;Lacey, 2013;Jurriens, 2009;Kuyucu, 2016;Schmidt, 2012).…”

Section: Nada Fmmentioning

confidence: 99%

The Synergy of Islamic Da’wah and Madura Culture Programmes on Nada FM Sumenep Radio, Indonesia

Achmad

Ida

Mustain

et al. 2021

JKMJC

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Nada FM Sumenep radio is the only commercial radio in East Java that has successfully synergised Islamic religious programmes and Madurese culture in its broadcasts. Several things influenced that success. This includes a careful understanding of business opportunities, ingenuity in creating programmes that fit the needs of religious content for Sumenep residents, Islamic da'wah programmes that is synergised with Madurese culture, and the support of communication technology (mediamorphosis). This qualitative research method uses virtual ethnography, where researchers conducted participant observation in the real and virtual world. The informants are one cultural leader, two programmers, one announcer, and three loyal listeners. This research explored the process of mediamorphosis, types of Islamic da'wah programmes, and Madurese cultural programmes, content, and the form of interaction among listeners and radio institutions in a networked society. The results showed that the form of mediamorphosis of Nada FM radio can be seen through the usage of streaming, Facebook, Twitter, Instagram, and WhatsApp. The aim of synergising content is to strengthen Islamic religious beliefs while maintaining Madurese culture. Connectivity in a networked society makes it easier to gain access to the radio content. Listeners prefer using WhatsApp as the media to express criticism. The ad suitability, chat duration, announcers' attitude, quality of sound and streaming, and the suitability of the da'wah theme are also key reasons to the success of Nada FM Sumenep radio. Keywords: Culture radio, da’wah radio, mediamorphosis, virtual ethnography, Indonesia.

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“…Edwin Jurriëns' 2009 book From Monologue to Dialogue: Radio and Reform in Indonesia defines Reformasi as a sociopolitical process aimed at ending malpractices associated with Suharto's New Order regime; the popular acronym KKN stands for 'korupsi, kolusi dan nepotisme' ('corruption, collusion and nepotism'). Reformasi sought to introduce social, political, economic and cultural reform towards a more open and democratic society.…”

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The political in the poetic : an alternative reading of the Jendela Art Group's nascent years (1997-2003)

Khamsin¹

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This thesis discusses the hitherto overlooked political significance of the early poetical art of Kelompok Seni Rupa Jendela (KSRJ), or Jendela Art Group, one of Indonesia's most prominent art collectives during the Reformasi era. I examine how Jendela constructs a poetical art language for their work and uses this visual and aesthetic language to create art which engages emotion, invites reflection and inspires imagination. This is significant, I suggest, as it highlights the artist's lived experiences, perspectives, and observations of Indonesian society during a time of political transformations and social changes. I combine original research drawn from my fieldwork and artist interviews to examine and interpret a selection of Jendela's artworks to show the political resonances emerging from the interactions between their poetical art and the political conditions of the time, and show how Jendela's poetical art works with emotion, intuition, and imagination to articulate political concerns and experiences.This thesis proposes the 'the political in the poetic' as an interpretive device to present an alternative perspective of the group, to demonstrate how they did not shun the socio-political realities of their time but instead made their opinions and deliberations felt through poetic works of art in the thematic chapters of Coretan (Transient Lines), Bayangan Bentuk (Allusion of Form), and Jiwa Ketok (Visible Soul). The political refers to the time and place -Yogyakarta during Reformasi,

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From monologue to dialogue; Radio and reform in Indonesia

Cited by 5 publications

References 1 publication

Style and Intersubjectivity in Youth Interaction

Style and Intersubjectivity in Youth Interaction

The Synergy of Islamic Da’wah and Madura Culture Programmes on Nada FM Sumenep Radio, Indonesia

The political in the poetic : an alternative reading of the Jendela Art Group's nascent years (1997-2003)

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