2014
DOI: 10.1080/01639625.2014.883888
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From Silence to Propagation: Understanding the Relationship between “Stop Snitchin” and “YOLO”

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Cited by 6 publications
(6 citation statements)
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“…Over the last several years with the proliferation of social media, many more events are documented and shared via social networking sites (Yar, 2012; Smiley, 2015). Some of these events captured on video are cases involving unarmed Black males being killed by law enforcement agents.…”
Section: Literature Reviewmentioning
confidence: 99%
“…Over the last several years with the proliferation of social media, many more events are documented and shared via social networking sites (Yar, 2012; Smiley, 2015). Some of these events captured on video are cases involving unarmed Black males being killed by law enforcement agents.…”
Section: Literature Reviewmentioning
confidence: 99%
“…This sample represents all of the available videos uploaded between the earliest existing fight compilation (February 2012) and the most recent compilation at the time of this study (April 2014). A video segment is an individual fragment of a lengthier video that is both shortened and edited to fit into a compilation video comprised of several segments (Smiley, 2015). These segments resemble "Greatest Hits" on music programming with various lengths, cinematography, and background music.…”
Section: Methodsmentioning
confidence: 99%
“…-boyd (2014, p. 117) Fueled by shifting attitudes toward female violence, criminology has shown renewed interest in violent offending and victimization among young, urban Black women. A their site, regardless of whether featured parties are aware they are being recorded or displayed online (Smiley, 2015). Accordingly, WSHH becomes a conduit for symbolic capital among fighters, videographers, and bystanders who can gain recognition and attention (albeit violent) through online visibility.…”
Section: Introductionmentioning
confidence: 99%
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“…The meso level of 'shared meanings' is often an agora of claims and counter-claims, where discourses and ideas, problems and solutions, are bought and sold. Rolling 24 hour news (Greer and McLaughlin 2011), museum exhibitions (Thurston 2016), YouTube videos (Ilan 2012), social media posts (Yar 2012;Smiley 2015), programmed technologies (Wall 2016), reality TV (Presdee 2002), political debates (Schept 2015), criminal justice policies and practices (e.g., Wall and Linnemann 2014), contemporary art (Brisman 2018), notions of knowledge and appropriate research (Ferrell 2018), the nature of contemporary punishment (Brown 2009), youth justice (Petintseva 2018), history and geography (Fraser 2015), subculture (Snyder 2009(Snyder , 2017, websites (van Hellemont 2012), celebrity (Penfold-Mounce 2010), far-right organising (Castle and Parsons 2017) and maps (Kindynis, 2014)-all are sites of discourse, representation and performance that have been studied by cultural criminologists. These do not reflect a 'decorative' project à la Rojek and Turner (2001), but are testaments to the ways in which cultural criminologists have explored how meanings around crime and control are created and contested, enforced and challenged.…”
Section: Cultural Criminology: a Contemporary Definitionmentioning
confidence: 99%