“…Importantly, these aesthetics are produced materially while they are established discursively. Aesthetic nature is emplaced through various forms of “mobility.” Articulated in recent scholarship by geographers and sociologists such as John Urry (Sheller & Urry, ; Urry, ), Mimi Sheller (, , ), and Timothy Cresswell (, ), the still‐burgeoning, interdisciplinary literature on “mobilities” posits an understanding of place as constructed through motion, rather than a static conception where social processes occur in fixed space. For Cresswell (, p. 3), “movement” is to mobility as abstract, undifferentiated “space” is to social, meaningful “place.” In other words, mobility is “socially produced movement.” John Urry () writes of five basic types of mobility for the purposes of analysis: corporeal (the movement of bodies), mobility of objects, imaginative mobility, virtual mobility, and communicative mobility.…”