Influenced by theoretical orientations in urban studies, which demonstrate how music offers a way to explore social dynamics in Africa, we examine the thoughts, actions, and experiences of male youth in Ghana using Guru's popular song “Boys abrƐ [Boys are tired].” Through doing so, we identify a set of troubling gender relations unfolding in Accra that are conceptualised as “retaliatory patriarchy” which has three constituent elements: entitlement, resentment, and obliviousness.