2008
DOI: 10.1093/ietisy/e91-d.11.2731
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Full-Index-Embedding Patchwork Algorithm for Audio Watermarking

Abstract: SUMMARY For the digital watermarking patchwork algorithm originally given by Bender et al., this paper proposes two improvements applicable to audio watermarking. First, the watermark embedding strength is psychoacoustically adapted, using the Bark frequency scale. Second, whereas previous approaches leave the samples that do not correspond to the data untouched, in this paper, these are modified to reduce the probability of misdetection, a method called full index embedding. In simulations, the proposed combi… Show more

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Cited by 35 publications
(18 citation statements)
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“…In this section, the suggested scheme is compared with other self-synchronised [8,26] and not self-synchronised [7,29,10] methods. Table 5 shows the capacity and SNR results of the suggested scheme and the selected methods.…”
Section: Comparison With Other Schemesmentioning
confidence: 99%
“…In this section, the suggested scheme is compared with other self-synchronised [8,26] and not self-synchronised [7,29,10] methods. Table 5 shows the capacity and SNR results of the suggested scheme and the selected methods.…”
Section: Comparison With Other Schemesmentioning
confidence: 99%
“…Considering a trade-off between capacity, transparency and robustness is the main challenge for audio watermarking applications. auditory system (HAS) and different transforms, resulting in various techniques such as embedding algorithms based on low-bit coding, echo, patchwork [3], rational dither modulation [4], Fourier transform [5,6], quantization [7,8,10] and the wavelet transform [9,11].…”
Section: Introductionmentioning
confidence: 99%
“…The watermark has to be imperceptible to preserve the original signal quality and robust to signal processing operations such as: filtering, compression, resampling, noise corruption, etc., which are classical no-intentional attacks against watermarking schemes. Several schemes for watermarking embedding and detection of watermarks in audio sequences have been proposed, where the main used techniques are spread spectrum [2], echo [3], patchwork [4], rational dither modulation [5] and interpolation [6]. In order to keep the perceptual transparency, these techniques take into consideration the properties of the Human Auditory System (HAS).…”
Section: Introductionmentioning
confidence: 99%