“…Some have focused on rap as performance (Dimitriadis, 1996;Smitherman, 1997;Guy, 2004) or on the question of race in hip-hop (Kelley, 1996;Ramsey, 2003;Harrison, 2009). Others have analysed the particular production of gangsta rap, and the often violent and stereotyping images conveyed by MCs (Guy, 2004;Quinn, 2004;Kubrin, 2005), or are interested in the production of a special space in hip-hop lyrics (Forman, 2000;Hess, 2009). The political dimension has already been analysed by scholars interrogating lyrics and the MC's life (Henderson, 1996;Alridge, 2003;Boyd, 2003;Perry, 2004;Morant, 2010;Stanford, 2011) or the relations between rap and the state (Nielson, 2010).…”