2018
DOI: 10.1017/s0047404518001112
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Genre and linguistic expectation shift: Evidence from pop song lyrics

Abstract: Popular song lyrics constitute an exception to dominant, standard language ideologies of English: nonstandard grammatical forms are common, relatively unstigmatized, and even enregistered in the genre. This project uses song lyrics to test whether genre cues can shift linguistic expectations, influencing how speakers process morphosyntactic variants. In three self-paced reading experiments, participants read sentences from pop songs. Test sentences contained either ‘standard’ NPSG + doesn't or ‘nonstandard’ NP… Show more

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Cited by 12 publications
(8 citation statements)
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“…This in turn connects to the genre system described above, as the reference point for authenticity (and authentication) is determined by specific genre conventions, which establishes "cultural" rather than personal authenticity (Coupland 2003;Moody 2021; also see Barker and Taylor 2007;Malone 2023). Notably, as determined in experimental sociolinguistic research (Squires 2019), otherwise stigmatized non-standard features are commonly accepted (or even privileged) in lyrics. To build the bridge to Country, establishing cultural authenticity in this genre, therefore, may be fostered by using features of SAE.…”
Section: Introductionmentioning
confidence: 81%
“…This in turn connects to the genre system described above, as the reference point for authenticity (and authentication) is determined by specific genre conventions, which establishes "cultural" rather than personal authenticity (Coupland 2003;Moody 2021; also see Barker and Taylor 2007;Malone 2023). Notably, as determined in experimental sociolinguistic research (Squires 2019), otherwise stigmatized non-standard features are commonly accepted (or even privileged) in lyrics. To build the bridge to Country, establishing cultural authenticity in this genre, therefore, may be fostered by using features of SAE.…”
Section: Introductionmentioning
confidence: 81%
“…Therefore, they should be tested with experimental methods. Apart from a more general analysis, following, for instance, the example by Schumacher and Avrutin (2011) or Squires (2019), in order to confirm the role of genre in the processing of the deviant TAM forms, it would be especially interesting to test the role of the linguistic properties we determined. This might concern the preference for telic Aktionsart categories in French or, for example, the range of rhetorical relations in the German structures.…”
Section: Discussionmentioning
confidence: 99%
“…For instance, according to Fine et al (2013, p. 15), comprehenders are sensitive to genre and other more individual properties of the input, and they "continuously adapt their syntactic expectations" as they are exposed to new linguistic input. Further evidence can be found in Squires (2019). She discusses insights from several studies underlining that the knowledge of the listener about the speaker in terms of dialect or sociolect positively influences how possible expectation violations are processed (see Squires, 2019, p. 2-4, with further references).…”
Section: The Role Of Predictions and What We Can Learn From The Datamentioning
confidence: 99%
“…The implications of these results for practitioners, policy makers and music professionals consist in a new way of considering language diversity, beyond a simple opposition between languages (domestic/native vs foreign), in the form of a continuum where languages are being practiced and experienced differently in specific localised contexts (Spanu, 2019a; Squires, 2019; Pennycook, 2010). More generally, this idea of a continuum relies on the fact that languages in musical contexts are deeply versatile, their meaning evolves constantly, depending on the many situations in which we listen to music (e.g.…”
Section: Discussionmentioning
confidence: 99%