Abstract:The paper develops the concept of penal spectrality—a sense of the presence of those who endured past penal suffering within environments and among objects related to the practice of punishment. The residents of Ukhta, a Gulag town in Northern Russia, engage uncomfortably with penal spectrality and employ two forms of distancing—pragmatic and cultural—to deal with its melancholic affects. Pragmatically, residents repurpose and reincorporate the things of the penal past into the social order, finding a use-valu… Show more
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