Sprache Und Literatur (Allgemeines Zur Literatur Des 2. Jahrhunderts Und Einzelne Autoren Der Trajanischen Und Frühhadrianische 1989
DOI: 10.1515/9783110861556-005
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Greek Sophists and Greek Poetry in the Second Sophistic

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Cited by 12 publications
(7 citation statements)
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“…There is a close relationship between the two, since sophists and others studied classical hymns as models for their prose encomia. 53 The implicit contrast created in Philippians 2 between Jesus and arrogant rulers is similar to a contrast made in Philo's encomiastic Life of Moses. Philo states that Moses was appointed leader of the multitude departing from Egypt and held this office and kingship, not like those "who thrust themselves into positions of power by means of arms … but on account of his goodness and his nobility of conduct and the universal benevolence which he never failed to show."…”
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confidence: 89%
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“…There is a close relationship between the two, since sophists and others studied classical hymns as models for their prose encomia. 53 The implicit contrast created in Philippians 2 between Jesus and arrogant rulers is similar to a contrast made in Philo's encomiastic Life of Moses. Philo states that Moses was appointed leader of the multitude departing from Egypt and held this office and kingship, not like those "who thrust themselves into positions of power by means of arms … but on account of his goodness and his nobility of conduct and the universal benevolence which he never failed to show."…”
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confidence: 89%
“…Officials called had the task of delivering such encomia in cultic settings. 49 The author of a rhetorical handbook in Latin in the first century, Quintilian, gives comprehensive rules for composing prose hymns to the gods. This fact is an indication that such hymns were already commonplace in the first century of the Common Era.…”
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confidence: 99%
“…No entanto, seria redutor tentar interpretar apenas o paralelismo numa perspectiva de superioridade ou inferioridade, parecendo-nos mais correcto entender a estrutura idealizada por Plutarco, e posta em prática de forma sistemática, como uma forma de atribuir a Gregos e a Romanos, artífices de duas culturas com semelhanças e diferenças, um lugar especial e simbólico na história humana, atendendo às realizações de que foram autores: arquitectura, literatura, educação, direito, ciência, filosofia e os confrontos que travaram (por exemplo, as Guerras Medo-Persas e as Guerras Púnicas), só para referir algumas das experiências mais relevantes de ambas as civilizações e culturas, que muito marcaram e continuam a marcar o Ocidente. O desejo de estabelecer paralelos culturais obriga Plutarco a escolher os heróis que melhor 320 E. g. G. Bowersock (1969), C. Jones (1971, E. Bowie (1982Bowie ( ) e (1989, S. , G. Anderson (1993), T. Schmitz (1997) e T. Whitmarsh (2001aWhitmarsh ( ) e (2005; estes estudos analisam a Segunda Sofística de forma diferenciada, assunto a que dedicaremos alguma atenção no ponto sobre o conceito de paideia em Plutarco. 321 Como mais adiante desenvolveremos, não é pacífica a delimitação cronológica da Segunda Sofística. Nos estudos sobre a matéria, é possível encontrar Plutarco incluído na lista dos autores que fazem parte da dela.…”
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“…218 Cf. E. Bowie (1970Bowie ( : 3-41) e (1974, G. Anderson (1989Anderson ( ) e (1993, S. Swain (1998r), T. Whitmarsh (2001Whitmarsh ( ) e (2005; para P. Vasunia (2003: 382): "the engagement with the past that occurs in Plutarch and the Second Sophistic is part of na attempt to forge a Greek cultural identity under the conditions of Roman colonisation"; a propósito da geografia da Segunda Sofística e das variantes culturais, vide E. Bowie (2004: 65-75 223 , mas, ao longo da narrativa, não volta a abordar este assunto. Um caso mais caricato, por isso aqui registado, encontramo-lo no par PyrrhusMarius, em que se desenvolvem vários elementos sobre a paideia de Pirro 224 .…”
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“…The surviving compositions in the Roman period attest expertise in ancient poetry. See the seminal contribution byBowie (1989). 20)Marrou 1965;Cribiore 1996 and 2001;Morgan 1998.…”
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confidence: 99%