Hans Werner Henze

Jungheinrich, Hans-Klaus

doi:10.1007/978-3-476-03796-1_23

Cited by 2 publications

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“…It should be deployed in pairs to secure the system and prevent downtime. [7,8] These suggestions are focused on the northern wall. If this system were placed in the back of the warehouse closer to the middle fire door, the access time from the elevator to the material could still be shortened.…”

Section: Proposal From the View Of Faculty Consultantsmentioning

confidence: 99%

Warehouse design for production needs

Viskup

Gálová

2019

MATEC Web Conf.

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The presented article was written based on experience from the proposal of design of a new storage system for the needs of creating student theses. Based on cooperation of our faculty with one local company, we were invited as consultants to help with preparations of a new warehouse that will be located in the recently purchased building. The aim was to design a warehouse layout and design storage systems for the materials used in the manufacturing process and the storage of finished products.

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Section: Proposal From the View Of Faculty Consultantsmentioning

confidence: 99%

Warehouse design for production needs

Viskup

Gálová

2019

MATEC Web Conf.

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El oratorio en el siglo XX

Sánchez¹

2008

ESPIRAL-CUADERNOS DEL PROFESORADO

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RESUMEN:Este artículo tiene como objetivo realizar una revisión de las principales manifestaciones del oratorio en el siglo XX, considerando para ello la evolución que este género musical ha tenido desde sus inicios. Debido a la escasez de estudios sobre el tema que nos ocupa, la metodología seguida ha consistido en lograr un amplio conocimiento de los orígenes del género, y posteriormente llevar a cabo un vaciado de los oratorios compuestos en el siglo XX, lo cual nos permite obtener una visión general de la cuestión. Con estos datos, podemos concluir que el oratorio es una forma musical que se compone de elementos dramáticos, narrativos y contemplativos, tomando como punto de partida un texto religioso. Sus orígenes más lejanos se encuentran en los textos dramáticos de la Edad Media. Este género ha mantenido íntimas relaciones con la ópera, y su desarrollo ha transcurrido paralelo a la misma. Frente a la homogeneidad que hasta el siglo XX había presentado el oratorio, en dicho siglo se asiste a una enorme diversidad de concepciones en los distintos países en que este se cultiva, así como un descenso en su producción. Palabras clave: Música religiosa, oratorio, ópera, drama. ABSTRACT:The objective of this article is to make a revision of the main Oratorio expressions in the 20th Century, considering for such purpose the evolution of this musical genre from its early origins. Due to the shortage of studies on the topic in question, the methodology used here has consisted of retrieving a knowledge of the origins of this particular genre, and, later, carrying out an exhaustive review of the oratorio works composed in the 20th Century to obtain, thus, a general overview of the matter. After examining these data, we can conclude that the Oratorio is a musical form combining dramatic, narrative and contemplative elements which takes a religious text as a starting point, its furthest origins being found in the Middle Ages. This genre has maintained close relationships with Opera and their developments have run parallel. In contrast with the homogeneity that the Oratorio had shown up to the 20th Century, from that time on, we can witness a wide diversity of conceptions in the different countries in which this genre is cultivated, as well as a decrease in its production.

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Hans Werner Henze

Cited by 2 publications

References 0 publications

Warehouse design for production needs

Warehouse design for production needs

El oratorio en el siglo XX

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