Haptic modeling in the conceptual phases of product design

Bordegoni, Monica; Cugini, Umberto

doi:10.1007/s10055-005-0013-3

Cited by 44 publications

(19 citation statements)

References 14 publications

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“…Although whatever PC pointing device would suffice in most cases, haptic systems (M Bordegoni & Cugini, 2005;Sener, Pedgley, Wormald, & Campbell, 2003;Gao & Gibson, 2006) and virtual manipulation in augmented reality environments (Kameyama, 1997;Israel, Wiese, Mateescu, Zöllner, & Stark, 2009;Bruno, Luchi, Muzzupappa & Rizzuti, 2002;Bordegoni, Ferrise, Ambrogio, 2009) are found in literature. In (Séquin, 2005), a software which combines CAD capabilities with natural hands-on interaction is envisioned, in a kind of interactive digital clay modelling system.…”

Section: Digital Sculpting and Sketchesmentioning

confidence: 99%

An exploratory study on the use of digital sculpting in conceptual product design

et al. 2013

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ElsevierAlcaide Marzal, J.; Diego-Mas, JA.; Asensio Cuesta, S.; Piqueras Fiszman, B. (2013). An exploratory study on the use of digital sculpting in conceptual product design. Design Studies. 34(2):264-284. doi:10.1016/j.destud.2012.09.001. An Exploratory Study on the Use of Digital Sculpting in Conceptual Product Design AbstractThe product design process involves intensive manipulation of graphical data, from pencil sketches to CAD files. The use of graphic software is common among professionals in this field.Despite this, the conceptual design stage remains intensive in paper and pencil work, as CAD systems are still too rigid to allow a creative production of concepts. In this paper the use of digital sculpting software is proposed as a way of producing 3D sketches in the early stages of the process. An experiment is conducted to determine to which extent 3D sculpt sketches can be considered as a suitable tool for conceptual design. The results show a better performance of 2D drawings, but support the complementary use of digital sculpting.

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Section: Digital Sculpting and Sketchesmentioning

confidence: 99%

An exploratory study on the use of digital sculpting in conceptual product design

et al. 2013

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“…He can also modify the prototype directly through touch. Examples of systems allowing modification of the virtual prototype through haptic devices are T'nD [16] and SATIN [17]. Figure 12 shows the concept of the SATIN system that we are developing for the evaluation and modification of aesthetic shapes.…”

Section: Reference Framework Extended With Interactionmentioning

confidence: 99%

Mixed prototyping for product assessment: a reference framework

Bordegoni

Cugini

Caruso

et al. 2009

Int J Interact Des Manuf

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The paper presents a reference framework for applications based on the mixed prototyping practice and mixed reality techniques and technologies. This practice can be effectively used for rapid design assessment of new products. In particular, the paper addresses applications regarding the use of mixed prototyping practice for the design review of information appliances. Various methods and technologies can be used according to the product aspects to validate and test. The paper describes mixed prototyping applications for positioning information appliances within systems and for the evaluation of ergonomics aspects of interactive devices

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“…In particular, recently the sense of touch has been extensively investigated and several lab prototypes and some few commercial products have been developed. The use of haptics has proved to be effective in some application sectors like games, medical and clay modelling of industrial products [10]. For what concerns the haptic interaction modalities with virtual cloths, the issue is more complex.…”

Section: Virtual Prototyping: Interaction Technologiesmentioning

confidence: 99%

The role of virtual prototyping and simulation in the fashion sector

Cugini

Bordegoni

Mana

2007

Int J Interact Des Manuf

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Virtual prototyping practice and technologies are developing fast and moving from the traditional industrial sectors that have pushed their development (automotive, aeronautical) to new sectors, like the fashion sector, that is far from them, but anyway economically important. The concept of Virtual Prototyping has been built upon a bottom up approach. Tools oriented to different phases of the product development process (CAD, CAM, CAE, etc.) have been developed separately, without any intersection or anything in common among them, except for the idea that the geometrical model of the object is the reference point for the all phases. Actually, each of these tools simulates a single aspect/characteristic of the future product: the shape, the appearance, the manufacturability, the strain, the physical behaviour, etc. On top of them, Virtual Prototyping was developed with multiple aims. First, it aimed at integrating into a unique "object" all the characteristics that are uniquely formalised, and that can be uniquely simulated, so allowing an integration of all the interrelations among the all product aspects. Another characteristic of Virtual Prototyping concerns its use in validation. This has raised the need to make compatible the context where the prototype can or could be virtually operating, in terms of digital modelling. Therefore, the Virtual Prototype can be seen as a correlated set of dedicated models able to simulate specific aspects and models of interaction modalities. The paper presents the key aspects of Virtual Prototyping and enabling technologies in the fashion sector, presenting their benefits and the shortcomings that still require research and development.

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Haptic modeling in the conceptual phases of product design

Cited by 44 publications

References 14 publications

An exploratory study on the use of digital sculpting in conceptual product design

An exploratory study on the use of digital sculpting in conceptual product design

Mixed prototyping for product assessment: a reference framework

The role of virtual prototyping and simulation in the fashion sector

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