Hurting Feelings' [B]ecause of all the sensitivities, I had to choose my words very carefully', stated Gerdi Verbeet, chair of the Dutch national commemoration committee Nationaal Comité 4 en 5 mei in 2016. 'You don't want to say something that hurts people's feelings', she added. 1 More than seven decades after the end of the German occupation of the Netherlands, Verbeet raised this issue in an interview about her role in the national World War II commemoration. It is not surprising that people associate a major devastating historical event with emotions experienced in the past, or that its history or consequences continue to elicit emotional responses in the present. 'The War', as people still refer to it, is more than a moral cornerstone or a prominent frame of reference. The German occupation during World War II left a profound emotional imprint on Dutch society. As Verbeet demonstrated, it has also become something about which it seems unimaginable, or at least socially unacceptable, to think, speak, or write without either a (subtle) display of emotion, or at least an explicit mention of the supposed emotionality of others. 2 That, however, is not all.Emotions are omnipresent in academic historical studies dealing with the aftermath of World War II in the Netherlands. Scholars use emotions in subordinate 1 Gerdi Verbeet stated this in an interview in the leading national newspaper, NRC Handelsblad, when she was interviewed around the time of national Remembrance Day in 2016. See Danielle Pinedo, '"De oorlog houdt ons meer bezig dan ooit"', NRC Handelsblad, 30 April 2016, https://www.nrc.nl/nieuws/2016/04/30/de-oorlog-houdt-ons-meer-bezig-dan-ooit-16 13560-a1234765. 2 This seems to be an implicit social code: Emotions should not be forgotten, and sensitivities are to be respected. This phenomenon became very clear during the Jenninger affair in Germany in 1988. Philip Jenninger, president of the West German Bundestag, caused a scandal when he, in the eyes of his critics, failed to express sentiments and emotions of remorse about the atrocities of the war in a public remembrance ceremony of the Kristallnacht. See Ernestine Schlant, The Language of Silence: West German Literature and the Holocaust, 1st ed. (New York: Routledge, 1999), 185-86. 1. Introduction | On War, Emotions, and Computers in History 12 Frédéric Clavert, 'Lecture des sources historiennes à l'ère numérique' , L'histoire contemporaine à l'ère numérique (blog), accessed 27 May 2021, https://histnum.hypotheses.org/1061; cited in Zaagsma, 'On Digital History' , 24. 13 Withuis and Mooij, 'From Totalitarianism to Trauma'; Tames, Doorn in het vlees; Mary Fulbrook, 'Troubling Issues: Guilt and Shame among Persecutors and Persecuted', in Reverberations of Nazi Violence in Germany and Beyond: Disturbing Pasts, ed. Stephanie Bird et al.