2020
DOI: 10.1080/01426397.2020.1749580
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Heritage of the Finnish Civil War monuments in Tampere

Abstract: The 100th anniversary of the Finnish Civil War has made questions about the construction of the heritage and cultural memory topical. Taking the concept of dissonant heritage as a starting point, the paper looks at two monuments in the City of Tampere and their reception and landscape, focusing on recent decades. War monuments are always understood within the framework of current politics, but they are also in continuous dialogue with their physical surroundings and, thus, shape and are shaped by their landsca… Show more

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Cited by 7 publications
(4 citation statements)
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“…North (1990: 861) argues that "sculpture becomes public by taking the spatial experience of its audience as a subject." The resulting "cultural space" becomes a meeting ground for both agitation (Tunbridge and Ashworth, 1996;Hicks, 2020;Ranja and Silva, 2020) and potentially peace making (Higgins-Desbiolles and Blanchard, 2010;Hautamäki and Laine, 2020). As Farmaki (2017: 538) notes, peace building is not a "static but a continuous process" and tourism can support or moderate positive peace building.…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…North (1990: 861) argues that "sculpture becomes public by taking the spatial experience of its audience as a subject." The resulting "cultural space" becomes a meeting ground for both agitation (Tunbridge and Ashworth, 1996;Hicks, 2020;Ranja and Silva, 2020) and potentially peace making (Higgins-Desbiolles and Blanchard, 2010;Hautamäki and Laine, 2020). As Farmaki (2017: 538) notes, peace building is not a "static but a continuous process" and tourism can support or moderate positive peace building.…”
Section: Discussionmentioning
confidence: 99%
“…We explore how the various approaches to destruction, banishment and subsequent redisplays and re-contextualisation of the material icons of the recent political past are used in attempts to build and support peace, stability and sustainability over the period of thirty years following seismic political change throughout the region. We examine how these tangible, often monumental, objects become subject to being physically moved, damaged or destroyed (Goodrich and Bombardella, 2016;Hautamäki and Laine, 2020). The complexity lies in the myriad of ways that individual and collective local, national and tourist remembering differs, colludes and collides with the formal narratives of contemporary place-making.…”
mentioning
confidence: 99%
“…Figurative art often depicts true forms of life, such as humans, animals, and objects, displaying accurate proportions, dimensions, and precise details and features [31]. As a result, they frequently serve as commemorative and symbolic representations of events and individuals [32,33]. The specific information and actual events portrayed in figurative art enable viewers to rapidly process visual information, matching it with corresponding knowledge and memory, making it more readily comprehensible [34].…”
Section: Abstract and Figurative Stylistic Featuresmentioning
confidence: 99%
“…(See e.g., Seitsonen & al. 2019;Hautamäki & Laine 2020;Lintunen & Heimo 2021: 43-44. ) The Civil War and the ruthless and unjust punishing of the defeated do not easily fit into the grand narrative of Finland, which emphasizes the idea of a united nation.…”
Section: Introductionmentioning
confidence: 99%