2013
DOI: 10.1111/jpcu.12061
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Heroes with a Half Life: Teenage Mutant Ninja Turtles and American Repression of Radiophobia after Chernobyl

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Cited by 5 publications
(9 citation statements)
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“…Dealing with the different media incarnations of the Ninja Turtles, particularly the 1987 TV series (Falkof), the 1990s live‐action films (Bisges; Kinder), toys (Masters), and video games (Ward Gailey), existing literature also attempts to interpret the underlying messages and explain the lasting appeal of the “heroes in a half‐shell.” George Lewis, for instance, describes them in terms of the American monomyth—as outsider heroes who defend a once perfect, paradisiacal community from evil—while Joseph Noshpitz emphasizes their status as adolescents, interpreting the main storyline as a process of male maturation. Calling them the “quintessential hybrids” (33), Richard Rosenbaum claims that the Ninja Turtles address issues central to the western postmodern condition.…”
Section: Overview Of Literature On Tmntmentioning
confidence: 99%
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“…Dealing with the different media incarnations of the Ninja Turtles, particularly the 1987 TV series (Falkof), the 1990s live‐action films (Bisges; Kinder), toys (Masters), and video games (Ward Gailey), existing literature also attempts to interpret the underlying messages and explain the lasting appeal of the “heroes in a half‐shell.” George Lewis, for instance, describes them in terms of the American monomyth—as outsider heroes who defend a once perfect, paradisiacal community from evil—while Joseph Noshpitz emphasizes their status as adolescents, interpreting the main storyline as a process of male maturation. Calling them the “quintessential hybrids” (33), Richard Rosenbaum claims that the Ninja Turtles address issues central to the western postmodern condition.…”
Section: Overview Of Literature On Tmntmentioning
confidence: 99%
“…Calling them the “quintessential hybrids” (33), Richard Rosenbaum claims that the Ninja Turtles address issues central to the western postmodern condition. Most pertinent to the present discussion, John Bisges and especially Nicky Falkof explore how the TMNT address ambivalent attitudes toward nuclear energy in the post‐Chernobyl United States. Falkof interprets the 1987 animated series as a reaction to post‐Chernobyl radiophobia in the United States and a vivid illustration of ambivalent attitudes toward nuclear energy, which was perceived both as a threat, in the form of radiation, and as power enabling the United States to become a leader in the fields of technology and economy.…”
Section: Overview Of Literature On Tmntmentioning
confidence: 99%
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“…Si bien explorada por académicos tanto desde las ciencias duras como desde las ciencias medioambientales, Chernóbil ha adquirido recientemente una mayor popularidad también en el ámbito de las ciencias sociales, en campos como la geografía humana (Davies, 2013;Rush-Cooper, 2013), la antropología (Petryna, 2002(Petryna, , 2011Phillips, 2005Phillips, , 2012, la sociología (Kuchinskaya, 2011(Kuchinskaya, , 2012(Kuchinskaya, , 2014, la historia (Kalmbach, 2013), los estudios de turismo (Goatcher & Brunsen, 2011;Stone, 2013;Yankovska & Hannam, 2013), la cultura (Falkof, 2013) e incluso los estudios visuales (Bürkner, 2014). Todos estos académicos comparten la idea de que el desastre de Chernóbil tiene múltiples interpretaciones y dimensiones, con impactos discutidos que van desde dentro hasta más allá del espacio post-soviético.…”
Section: Chernóbilunclassified