Proceedings of the SIGCHI Conference on Human Factors in Computing Systems 2014
DOI: 10.1145/2556288.2557196
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Human values in curating a human rights media archive

Abstract: Cultural institutions, such as museums, often curate politically and ethically sensitive materials. Increasingly, Internet-enabled, digital technology intersects with these curatorial practices offering new opportunities for public and scholarly engagement. We report on a case study of human rights media archiving at a genocide memorial centre in Rwanda, motivated by interests in ICT support to memorialisation practices. Through an analysis of our discussions with staff about their work, we report on how accou… Show more

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Cited by 17 publications
(17 citation statements)
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“…In this paper we take up three of the four topics discussed: addressing the universal vs. culturally specific values issue as an empirical one, strengthening Musqueam voice in publications, and making our own voices as researchers and designers more clear. Durrant et al drew upon concerns from VSD in their research on values in curating videos in a human rights archive [18]. They noted a particular challenge for interaction designers is to enhance cultural engagement with sensitive archive materials while supporting empathic interactions, a challenge we take up in a different context here.…”
Section: Value Sensitive Designmentioning
confidence: 99%
“…In this paper we take up three of the four topics discussed: addressing the universal vs. culturally specific values issue as an empirical one, strengthening Musqueam voice in publications, and making our own voices as researchers and designers more clear. Durrant et al drew upon concerns from VSD in their research on values in curating videos in a human rights archive [18]. They noted a particular challenge for interaction designers is to enhance cultural engagement with sensitive archive materials while supporting empathic interactions, a challenge we take up in a different context here.…”
Section: Value Sensitive Designmentioning
confidence: 99%
“…Other work has focused on human rights media archiving, in particular, on preservation and curation of genocide survivors' oral testimonies ('Densho', 1997;'USC Shoah Foundation', 2007; 'Welcome to Genocide Archive Rwanda', n.d.). Within HCI, one recent study stands out as closely related to our own, that of Durrant et al (2014). Durrant and colleagues sought to understand the archiving processes of 'sensitive archive materials' that are emotive and visceral, and contextualized within a politically and ethically contested history, again, the 1994 genocide in Rwanda.…”
Section: The Growth Of Conflict and Post-conflict Transitional Justicmentioning
confidence: 99%
“…Research that seriously engages with long(er) term design processes from diverse perspectives and theoretical orientations is sorely needed. Early efforts of this ilk in the human-computer interaction (HCI) community can be found around domains such as conflict and post-conflict situations (Aal et al, 2014;Durrant et al, 2014;Mark and Semaan, 2009;Smyth et al, 2010;Wallace et al, 2014), crisis informatics (Burns and Eltham, 2009;Starbird and Palen, 2012), collapse informatics (Tomlinson et al, 2013), cultural heritage (Liu, 2010) and sustainability (Bidwell et al, 2013;Blevis, 2007). The work reported here joins this literature-in the context of recovering from genocide and the development of systems of transitional justice-and draws from the theoretical framing of multilifespan design .…”
Section: Introductionmentioning
confidence: 99%
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“…For example, [13] focuses explicitly on web-based memorialization, [12] describes the application of reflective design to digital memorials, whilst [36] considers the use of digital memorials and online grief as a form of entertainment, and [27] considers methodological issues around the wellbeing of researchers working in this area. In mapping this space comprehensively, we seek to answer questions that have arisen in our own continuing work, in contexts ranging from the creation of bespoke personal memorials to the curation of a human rights media archive in Rwanda [10]. The breadth of memorials discussed highlights the many different scales of interaction, and the huge resource of design possibilities available.…”
Section: Framing Questions For Designersmentioning
confidence: 99%